For one night only, Professor Brian Cox takes an audience of celebrity guests and members of the public on a journey into the wonderful universe of the Doctor, from the lecture hall of the Royal Institution of Great Britain. Drawing on the latest theories as well as 200 years of scientific discoveries and the genius of Einstein, Brian tries to answer the classic questions raised by the Doctor. Can you really travel in time? Does extra-terrestrial life exist in our galaxy? And how do you build something as fantastical as the TARDIS?

Mrs. Vera’s Daybook tells a story of historic activism and community art through the works of two San Francisco artists, who also happen to be long-term AIDS survivors. During one of the darkest periods in US History, two men decide to bring joy and color to a broken community for which an entire movement has emerged. Supporters, fellow activists and members of the queer art community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.

The discovery of an ancient music score in the Louvre sets researchers on a mission to recreate the music as it was originally heard by the Greeks 2,400 years ago.

Jeff Dunham tries to to recreate the beloved holiday story, A Christmas Carol, with his iconic characters in the classic roles. Walter is obvious – there’s only one man who can play Scrooge! But when Jeff assigns Bubba J, Peanut, Little Jeff and Achmed their thespian parts, they don’t quite agree and his plan spins hilariously out-of-control.

NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he’s commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.

One of the most frightening of American urban myths is the legend of The Mothman, a red-eyed creature seen by some as a harbinger of doom in 1960s rural West Virginia, where sightings of the winged demonic beast were first documented near an old munitions dump known by locals as TNT. Many believe the Mothman to be a 1960’s phenomenon, an omen only appearing before tragedy, and disappearing after a flap of sightings and the subsequent Silver Bridge collapse in 1967. But what if there’s more? What if the origins of this omen trace back much further and go much deeper than anyone realized? And what if…the sightings never ended?

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

The Wages of Resistance is a feature-length documentary film that portrays an “extended span of time” of the protests against building Narita International Airport which have continued from the 1960’s to today through documenting monologues of those whose lives were twisted by the movement.

The incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York. Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.

Documentary film about former Estonian tennis player Anett Kontaveit.

FOO FIGHTERS BACK AND FORTH chronicles the 16 year history of the Foo Fighters: from the band’s very first songs created as cassette demos Dave Grohl recorded during his tenure as Nirvana’s drummer, through its ascent to their Grammy-winning, multi-platinum, arena and stadium headlining status as one of the biggest rock bands on the planet.

Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.