The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.

A Kabaddi player rescues a young woman from an unwanted marriage and hides her in his home.

A couple’s life becomes complicated when people get involved with their troublesome son.

In the summer of their twelfth year Matteo and Samuele spend their days between the river, the forest and the shopping center, but compared to previous years, something is changing. The game becomes boring, imagination gives way to discovery, adventure turns into life experience. A summer without beginning and without end, the story about a friendship, an age and a land which are obliged to change with the inexorable passage of time.

Abel Grey is sent to investigate the death of a boy from an exclusive local school, who is found floating in the river. Fearing scandal, the school insists it was suicide. But after discovering from the boy’s girlfriend, Carlin, that he was being badly bullied, Abel suspects that a dangerous schoolboy initiation has gone horribly wrong and he secretly solicits the help of a sympathetic teacher, Betsy. He is warned off the investigation by his boss, as the school is a generous benefactor to the Police benevolent fund. Abel, however, cannot let the case go, not only because his own brother committed suicide years before, but also it seems that the spirit of the dead boy is leaving them clues as to what really happened that night.

A group of scientists is sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a difficult one: they cannot interfere violently and in no case can they kill. The scientist Rumata tries to save the local intellectuals from their punishment and cannot avoid taking a position. As if the question were: what would you do in God’s place? Director’s statement Aleksei wanted to make this film his entire life. The road was a long one. This is not a film about cruelty, but about love. A love that was there, tangible, alive, and that resisted through the hardest of conditions.

The film follows randy college boys Zack and Brian on a trip to Malibu for a party where there’s a shortage of boys but a bevy of buxom girls. Beset on the way by car trouble, and various other distractions, the film also follows the journey of Zack and Brian’s girlfriends, who follow the boys to Malibu but end up having their own lusty adventures.Something of note is that the original airing and the DVD were/are interactive. Meaning there are times when you get to pick the direction the characters take.

A cinephile tries to protect his family by hiding a heat-of-the-moment murder committed by his daughter by taking cues from the films he has watched. With the victim the son of a cop, can he get away with it?

A woman tries to determine if her rape was legitimate or not.

The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism.

In this adaptation of the classic novel by Louisa May Alcott, two street kids from Boston find themselves at Plumfield, a rural boarding school run by Jo and her husband — and they soon learn academic and life lessons they won’t ever forget.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.