Some time after the Mousekewitz’s have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.

After the death of his grandfather, a boy’s father dealing with grief sends him on a journey to understand death, while putting together the annual haunted house.

Germany, 1933: Little Anna Kemper lives with her family in Berlin. Since her father, a famous theater critic, is an open opponent of the National Socialists, he has to flee to Zurich after Hitler’s rise to power. The mother, Anna and her twelve-year-old brother soon follow him. Because there is hardly any time to prepare for the escape, Anna has to leave her beloved stuffed rabbit in a hurry. But the family does not find a permanent home in Switzerland either. Again and again Anna has to adapt to the constantly changing circumstances, face new challenges with her family and face great privations. Nevertheless, Anna tries not to lose braveness.

Sun Wukong, (The Monkey King) is a monkey born from a heavenly stone who acquires supernatural powers. After rebelling against heaven and being imprisoned under a mountain for 500 years, he later accompanies the monk Xuanzang on a journey to India. Thus, according to legend, Buddhism is brought to ancient China. This much beloved story, is as much a part of Asian culture as The Iliad and The Odyssey or The Wizard of Oz are to the West. This first installment in a trilogy of live action 3-D movies is actually a prequel to The Journey To The West, the much told story of the Monkey King’s adventures on the road to India.

Life is easy for 43-year-old Luis, a happy single guy, fulfilled in his job of star nose with a perfume creation company, cosseted by his mother and five sisters. It could have lasted for a whole life, but fed up with mollycoddling and helping him, his mother and sisters decide it’s time he got married, and the sooner the better!

Sierra Young is a rising ingénue, making $10 million per picture. She’s also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she’s run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie’s grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler’s production of “Taming of the Shrew.” Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?

Truck driver Papa (Sebastian Papaiani) carrying food for a large construction site canteen, falls in love with two girls.

Who or what exactly is a Heffalump? The lovable residents of the Hundred Acre Wood — Winnie the Pooh, Rabbit, Tigger, Eeyore, Kanga and the rest of the pack — embark on a journey of discovery in search of the elusive Heffalump. But as is always the case, this unusual road trip opens their eyes to so much more than just the creature they’re seeking.

Matt Webster measures his success by his possessions. Though he appears to have it all, pride of ownership does little to fill the void of a purposeless life. Brokern relationships, isolation and pain for himself and his family, are the result of his pride and selfishness. Through a series of financial and family crises, Matt and his family are stripped of all they own and are humbled enough to learn what success is really all about.

Do we truly know one another? Every one of us has three lives: a public, a private and secret one. What we once stored in our memories is now being stored in our phones – what happens when these are made public?

Aristocrat Guillaume de Saint Preux leads a double life as a masked bandit known as the Black Tulip. The Black Tulip only robs rich aristocrats, so the local peasants regard him as a hero. Baron La Mouche is convinced Guillaume is the Tulip. During a robbery, he scars the Tulip’s face, and hopes to use this to expose Guillaume, but Guillaume is one step ahead.

Kakekomi tells the stories of Edo women in the 1800s that escape abusive husbands and lovers by taking refuge in Tokeiji, a monastery in Kamakura.