A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.

Unhinged by his girlfriend’s sudden departure, artist Angus begins slipping into a dark layer of reality ruled by a powerful demon. Believing that the key to finding her lies within, Angus plunges deeper into the infernal netherworld.

Andy is a front desk clerk with a little ambition until he finds his muse. Hayley is a beautiful shampoo girl chasing big dreams in NYC. When their worlds collide in a hapless run-in, the starstruck lovers assume false identities and follow the script of life from the same self-improvement book which lead to potentially bigger problems than they could have ever dreamed.

A group of eleven recruits, composed entirely of excruciating social stereotypes, and one dorky camp instructor, embark on a weekend-long work retreat in the quasi-wilderness of northern south-east Queensland. Everything goes relatively smoothly, that is to say, lamely, until (you guessed it) one of the group turns out to be a homicidal maniac hell-bent on dispatching the others in a variety of creative ways. Based on the Pulitzer-Prize-winning novel (sic), The Killage is a wacky, fright-filled journey into the darkest recesses of the human intestines. Bring a box of tissues.

Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.

A waitress from Chicago falls in love with a man from rural Minnesota and marries him, with the intent of living a better life – but life on the farm has its own challenges.

London, 1974. As Britain prepares for electrical blackouts to sweep across the country, trainee nurse Val arrives for her first day at the crumbling East London Royal Infirmary. With most of the patients and staff evacuated to another hospital, Val is forced to work the night shift, finding herself in a dark, near empty building. Within these walls lies a deadly secret, forcing Val to face both her own traumatic past and deepest fears.

Chronicles four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.

Dennis Hopper is a hard-drinking truck driver who loses control of his truck under the influence and slams it into a busload of screaming children. After serving his five year jail sentence, Hopper finds his daughter, Cebe (Linda Manz), the love of his live, grown into a rebellious punk in a backwater town, having barely been looked after by her junkie mon (Sharron Farrell). Cebe’s hopes of once again becoming a “normal” family painfully proves to be doomed, as she desperately tries to hold everyone together. Hopper’s loose, naturalistic style and sympathetic, yet critical attitude infuses the drama with a painful power that finally erupts in a devastating and thrillling conclusion.

A young man struggling for a good life meets a deaf girl from a well-off nearby family, he suddenly sees hope for love, and a better life but only if he can escape the predicament of the streets and the influence of his older sister.

When his young daughter’s beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn’t know was there.

A trio of young sisters are attacked by local thugs. Then a force inhabiting the orchard exacts its revenge.