Gautham is a rock star suffering from a mental disorder due to which he loses grip over reality. But he’s convinced his parents were murdered by three men and his only goal is revenge.
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Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)
Four Harlem friends — Bishop, Q, Steel and Raheem — dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn’t willing to take no for answer in a game where everything’s for keeps.
The film follows a romantic liaison between a young woman from Kiev, who is a supporter of the pro-European Maidan uprising, and a man from Sevastopol who joins the pro-Russian resistance in the aftermath of Maidan’s success in Kiev.
They say a blast of flames can take a life … and hide a secret. But now firemen brothers Brian and Stephen McCaffrey are battling each other over past slights while trying to stop an arsonist with a diabolical agenda from torching Chicago.
Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.
When the head of a statue sacred to a village is stolen, a young martial artist goes to the big city and finds himself taking on the underworld to retrieve it.
Ukraine – 1636. Someone has attacked a battalion of cossacks that were transporting the gold of the Polish king. A cossack – Maksym Osa – tries to find the missing gold, but soon becomes one of the main suspects.
Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
