Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.

First of 2 films set during the 18th century in the mountains of Wallachia, about a band of outlaws aiming to undermine the rule of the Phanariots and the Ottomans. The story evolves around the two stepbrothers who lead this band, Sarbu and Amza, with their complex and violent relationship.

The story of heroine Ecaterina Teodoroiu, the only woman who fought in the Romanian Army during World War 1.