Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenaults and her fiancée Sanderson, a businessman involved in shady property development deals.  It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.

Pressure from his boss and a skin-cream client produces a talking boil on a British adman’s neck.

A big city cop from LA moves to a small town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a young blind woman named Helena, who he is attracted to. Meanwhile, a serial killer is on the loose and only John knows it.

Two out-of-work actors — the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail — spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday “by mistake” at the country house of Withnail’s flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.