While investigating the kidnapping and murder of a little girl, a detective spots a piece of graffiti that depicts the crime scene perfectly—but the graffiti was drawn a month before the crime took place, and that the artist knows more than he is telling.

When a school girl disappears, suicide is suspected, and one of her classmates is suspected of having goaded her into it.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.

1986 Gyunggi Province. The body of a young woman is found brutally raped and murdered. Two months later, a series of rapes and murders commences under similar circumstances. And in a country that had never known such crimes, the dark whispers about a serial murderer grow louder. A special task force is set up in the area, with two local detectives Park Doo-Man and Jo Young-Goo joined by a detective from Seoul who requested to be assigned to the case.

Lee Yoo-rim is a high school English teacher. He’s cute, clever… and shameless. Choi Hong is a student teacher, even though she is one year older than Yu-rim. She’s cynical and always plays hard-to-get when a man shows interest in her. While going out for drinks one night, Yu-rim suddenly tells Hong that he wants to have sex with her. Hong is hardly impressed. And so begins a battle of will and wits, both between each other and within themselves, as both Yu-rim and Hong are unsure of what each other wants and what they want themselves. Dating and desire mix explosively. What is the point of this strange relationship? What is the object of their desire?

An actress wanders around a seaside town, pondering her relationship with a married man.

The film is based on a true yet unsolved murder case from the early 1990s that is known among Koreans as the “disappearance of the frog children.” In 1991, five elementary school students told their parents that they were going to hang out on a nearby mountain to catch frogs, and then they go missing.

Since she was young, Soo-Nam has been able to do anything well with her hands. She holds 14 different certificates for typing excellence, but a computer takes over her job. Luckily, she finds a new job and marries. Soo-Nam and her husband decide to buy a house. They take out a loan to pay for their home. Soo-Nam works hard to pay off the loan, but she falls into more debt. Then … an opportunity arises to pay off all her debts at once.