The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.

Loosely based on the classic story of Sleeping Beauty, this irreverent fairy tale for modern audiences follows a man named Moses (Joe Schneck), whose frequent seizures are characterized by the appearance of Glintentica, a spurned Goddess planning her return to earth. Problems arise when Glintentica becomes determined to take over the soul of David (Tom Bailey), Moses’ new love interest. Enlisting the help of a priest, his roommate (Becca Connolly), and David, Moses embarks on a fantastic quest to find the key to destroying Glintentica once and for all.

U2, Talking Heads, Depeche Mode, Blondie, Duran Duran, Tears for Fears, The Clash, The Cure: Over half a billion records sold but you may never have heard of them if not for a small suburban radio station on Long Island, NY: WLIR. In August, 1982, a small group of radio visionaries knew they couldn’t compete with the mega-stations in New York City. With one brave decision, they changed the sound of radio forever. Program Director Denis McNamara, the ‘LIR crew and the biggest artists of the era tell the story of how they battled the FCC, the record labels, mega-radio and all the conventional rules to create a musical movement that brought the New Wave to America.