Front of Aragon, 1937. Lluís (Marcel Borràs), a young republican officer destined for a temporarily dormant position, meets an enigmatic widow of whom she falls in love, Carlana (Núria Prims), who manages to fool him to falsify a Document that makes it the lady of the region. The best friend of Lluís, the Soleràs (Oriol Pla), a degraded officer, discovers the fraud and, in exchange for not exposing him, he demands that he move away from the bombings of Barcelona his son and his wife, from whom he is Secretly in love When Trini (Bruna Cusí) arrives at the town, it does not take long to discover the betrayal of Lluís and establishes between them two a “state of war” that will make all moral bases stagger.

A group of strangers are trapped inside a bar.

The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible (Angulo), a death metal salesman from Carabanchel (Segura), and the Italian host of a TV show on the occult (De Razza). These go on a literal “trip” through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.

Julia finds 300 million pesetas hidden in a dead man’s house while selling an apartment. She’s a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn’t take long in coming to a head in undisguised pandemonium.

In this heist film turned horror fest, director Álex de la Iglesia’s love of mayhem is on full display as a gang of gold thieves lands in a coven of witches who are preparing for an ancient ritual — and in need of a sacrifice.