Sarah Manninen
Separation opens with an absolutely innocent shot of a young girl riding a bicycle. It isn’t until later in the film that we learn exactly what we were watching. And that is exactly what Separation is all about. This is a film that masterfully uses sleight of hand like a highly-skilled magician to show us one thing while setting up something completely different. And writer/director Greg White brings it all together in a tense film with an exciting climax that pulls back all the curtains.
A hyper-repressed and schlubby accountant (Jonas Chernick) strikes a deal with a worldly but disorganized stripper (Emily Hampshire): he’ll help her with her crushing debt if she helps him become a better lover. Sharp direction by the versatile Sean Garrity and a very funny script by Chernick ensure for an uproarious — and surprisingly educational — sex comedy. (TIFF)
When Brian lets his girlfriend, decides to change city and way of life. Attracted by the incredible offer, purchase a large house outside keeping a big secret. One day you have the impression of seeing a woman in the garden and can also talk to her … is how both discover that one of us is in the wrong era.