Sarah Clarke
When Bella Swan moves to a small town in the Pacific Northwest to live with her father, she starts school and meets the reclusive Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward’s repeated cautions, Bella can’t help but fall in love with him, a fatal move that endangers her own life when a coven of bloodsuckers try to challenge the Cullen clan.
The new found married bliss of Bella Swan and vampire Edward Cullen is cut short when a series of betrayals and misfortunes threatens to destroy their world. Bella soon discovers she is pregnant, and during a nearly fatal childbirth, Edward finally fulfills her wish to become immortal. But the arrival of their remarkable daughter, Renesmee, sets in motion a perilous chain of events that pits the Cullens and their allies against the Volturi, the fearsome council of vampire leaders, setting the stage for an all-out battle.
Tracy is a normal 13-year-old trying to make it in school. After befriending the most popular girl at school, Evie, Tracy’s world is turned upside down when Evie introduces her to a world of sex, drugs and cash. But it isn’t long before Tracy’s new world and attitude finally takes a toll on her, her family, and old friends.
Punk’s Dead, the sequel to 1999 cult hit SLC Punk, is a punk romp through the Utah hinterlands. Ross, Penny and Crash, young outsiders from different tribes, embark on a road trip to a huge punk show. Ross, 19, is the love child of Trish and Heroin Bob, who died before Ross was born. During their odyssey, and with the help of a healthy dose of drugs, alcohol and punk music, Ross shreds his darkly Gothic outlook and embraces life. His mother Trish, who raised Ross alone in her steam punk shop, discovers that he is in a crisis. She recruits his ‘uncles,’ Bob’s old SLC gang, to help find him. When all collide at the concert, they are forced to deal with their unresolved relationships with Bob.
A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.
An ensemble cast telling 10 stories with intertwining characters. One story is about a father and son who are dating the same woman . Another features a woman who long ago gave her baby up for adoption but is now being blackmailed by a documentary filmmaker who claims to know the now-grown child’s whereabouts.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
