Philip Akin
The sequel to the low budget first film ‘Cube.’ This time the prisoners find them selves in a more advanced cube environment that they must escape from before they are killed. A science fiction film where space and time have more than one path.
Angela, a corporate climber, gets stuck working late on Christmas Eve and finds herself the target of an unhinged security guard. With no help in sight, the woman must overcome physical and psychological challenges to survive.
Friday night in Toronto’s lower west end. Chatter from a dinner party in Harry and Carol’s nouveau riche condo drifts through an open balcony door, as two freebase cokeheads, Pretty and Johnny, have a party on their own in the alley below. As the dinner guests leave, the hostess is nowhere to be found. Until, a wet thud and a sharp scream rise up to the balcony. Pretty stares in horror at Carol’s body, splayed on the alley floor, as Harry screams for help from above. The sharp burst of police sirens sends the cokeheads running as Peter, a middle aged police officer, sprints from his cruiser to check Carol’s vitals. Rocket forward three months and these five disparate lives begin to cataclysmically intersect through weaving multi-narrative story arcs that release spurts and geysers of long-suppressed sexuality and aggression. Beautiful things can happen when you hit rock bottom.