A disturbed new neighbor fixates on another woman’s husband.

A mother and daughter set out on a weekend river rafting retreat, only to encounter 3 escaped convicts along the way.

Steve Brooks, a sexist womanizer, is killed by a group of his angry former lovers. In heaven, he makes a bargain with God for redemption and agrees to return to Earth. Once there, he must have a sincere relationship with a female and make her fall in love with him. If not, Steve’s soul will become the property of the devil. But the devil hedges his bet, and Steve is reincarnated as a woman named Amanda Brooks.

Andy is a new teacher at a inner city high school that is like nothing he has ever seen before. There is metal detectors at the front door and everything is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.

Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.

A slave owner in the 1840s trains one of his slaves to be a bare-knuckle fighter.

Film cutter Katie Griffin is hopelessly in love with writer Richard Mannhart, and starts an affair with him. When Mannhart’s wife is killed in a road accident, Katie tells the police she thinks he’s tampered with his wife’s car. Being questioned Mannhart declares he’s innocent. Not only that, he also denies any amorous involvement with Griffin. As it is her word against his, both parties are pressed to back up their stories with hard evidence. Finally Katie comes up with some. End of story?

“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.

In this bloody long-standing feud, two families seek vengeance against each other as they unmercifully attempt to destroy each other’s loved ones.