April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

Đorđe is being summoned to Ada Bojana to meet his father for the first time. Nikola, his dad, is a jailbird and ex-thief. Although everyone thinks Đorđe’s gay, he meets Lola and sparks fly. In the meantime, everyone from cops to crime bosses want diamonds from Nikola’s last heist.

Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.

The story of a retired music professor, Misha Brankov, who under unusual circumstances discovers his true origins. At the place where once stood a Nazi concentration camp for Jews during World War II, a metal box filled with documents is found. It was buried by an inmate Isaac Weiss in the year 1941. The professor finds out that his real parents, the Weiss’s, gave him away to their friends, the Brankovs, just before they were taken into the camp. Inside the box there is an unfinished musical score, called “When day breaks”, composed by the inmate Isaac Weiss. Searching for the truth about himself and his origins, Misha discovers the little-known truth about Judenlager Semlin camp, one of the worst Nazi execution sites in the heart of contemporary Belgrade. At the same time, the professor’s obsession is to complete the composition, started by his father, and to perform it on the site of the former camp… which he, after many vicissitudes, finally succeeds.