Michèle Mercier
In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon’s novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.
Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.
This film finds Angélique in a North African Muslim kingdom where she is now part of the Sultan’s harem. The first part of the film consist of her angrily refusing to be bedded as well as their trying to literally beat some sense into her. It all seems to go on too long and I was surprised that the Sultan simply didn’t have her killed. Late in the film, she finally decides to escape with the help of two Christian prisoners.
Angelique goes in search of her husband Joffrey de Peyrac who did not die on the stake.
Middle-aged attorney Pierre falls for a young woman who dances in a discotheque to work her way through medical school. The lovestruck lawyer can’t bring himself to leave his wife over the young woman. When the dancer’s wealthy suitor is murdered, Pierre is accused of the crime.
Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn’t realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King’s half- brother, some Hungarian prince, to save Angélique from the evil troll’s clutches.
Maria seeks revenge on the killers of her husband. She enlists the help of her husband’s best friend, Manual, a reluctant, but skilled, gunfighter.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In “The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.