Based on the real life story of legendary cryptanalyst Alan Turing, the film portrays the nail-biting race against time by Turing and his brilliant team of code-breakers at Britain’s top-secret Government Code and Cypher School at Bletchley Park, during the darkest days of World War II.

When strangers Jim, Eva, Emily and Mo meet William online in his new ‘Chelsea Teens!’ chatroom, they’re completely seduced by his fast-talking, charismatic character. But beneath the surface lies a much darker truth. William is a dangerous loner, channeling all his energies into cyberspace. He’s become an analyser, a calculating manipulator who finds it almost impossible to interact normallywith others in the real world, instead turning his hand to manipulating people online. When the timid Jim opens up to William, it sparks a fascination that quickly turns into a dark downward spiral, with the twisted antagonist coercing the rest of the group to become pawns in his deadly game. As the cat-and-mouse situation escalates to devastating heights, can William’s anti-social networking be brought to an end?

Despite her sheltered upbringing, Jenny is a teen with a bright future; she’s smart, pretty, and has aspirations of attending Oxford University. When David, a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won’t soon forget.

The Lovers is an epic romance time travel adventure film. Helmed by Roland Joffé from a story by Ajey Jhankar, the film is a sweeping tale of an impossible love set against the backdrop of the first Anglo-Maratha war across two time periods and continents and centred around four characters — a British officer in 18th century colonial India, the Indian woman he falls deeply in love with, an American present-day marine biologist and his wife.

Newlywed Elizabeth arrives with her brilliant scientist husband Henry to his magnificent estate, where he wows her with lavish dinners and a dazzling tour of the property. The house staff Claire and Oliver treat her deferentially but she can’t shake the feeling something is off. Henry explains that everything in his world now belongs to her, all is for her to play in — all except for a locked-off room he forbids her from entering…

In a bleak Inverness midwinter, Luisaidh is careering off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.