Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.

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Sebastian (Hendler) meets Natalia (Bertuccelli) when trying to steal an important piece of art from a museum, and she wins the hand. Rivals declared, the two have to work together later in a robbery more complex: a valuable and unique bottle of Malbec from Bordeaux in the mid-nineteenth century, listed as one of the best wines in the world and jealously guarded in the vault of a bank, in Mendoza. In a world full of glamor, between vineyards and mountains, the thieves will have to display their magic, but while preparing discover theft, each to his own, that nothing will be as thought

Six twenty-something friends are spending New Year’s Eve at a summer house at the river. The host, Nicolas (writer and director Martin Piroyansky, XXY), brings his ex-girlfriend Pilar (Inés Efron, Empty Nest, XXY) with whom he just had a one-night stand. But, Nicolas hits on every other girl including the brooding Cata (Vera Spinetta) and the voluptuous Belén (Justina Bustos). When Nicolas unexpectedly falls into bed and then into love with the high-strung Manuela (Violeta Urtizberea) who also happens to be his best friend’s girlfriend, the last laugh is on him.