Katharina Schüttler
Flo and his trusted Collie pal Lassie spend the summer at Aunt Cosma’s, alongside her foster children Kleo and Henry, and her dog Pippa. When local canines start disappearing, including Pippa, Lassie rallies the kids to solve the mystery.
Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.
Three former classmates reunite for their 30-year high school reunion.
A promising career with the police, a baby on the way… Marc’s life seems to be right on track. Then he meets fellow policeman Kay and during their regular jogs Marc experiences a never-before-felt sense of ease and effortlessness — and what it means to fall in love with another man. Torn between his family and his new feelings for Kay, Marc sees his world careening more and more out of control. Suddenly, his life is in free fall and Marc realizes that try as he may, he can’t make everyone happy. Least of all, himself.
The breath-taking story of a man who nearly would have changed the world. 1939, when Hitler tricked millions of people at the height of his power, one said a radical No: Georg Elser, disparaged as an assassin, is one of the greatest resistance fighters.
A “romantic comedy” based loosely on the suicide of the poet Henrich von Kleist in 1811.
A fateful day pushes an aimless college dropout (Tom Schilling) to stop wasting his time and finally engage with life.
Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.
On 9 April 1940, German soldiers arrive in the city of Oslo. The King of Norway faces a choice that will change his country forever. The King’s Choice is a story about the three most dramatic days in Norway’s history, the royal family’s escape and King Haakon’s difficult choice after Nazi Germany’s invasion of Norway.
Öllers and Niederländer have everything under control. For the past six years, the two successful business consultants have been traveling through some of the seediest countries around the world in order to satisfy their clients greed. They have achieved almost everything, but there is one career move left: to finally become a partner in the company! When they find out that their team colleague Hellinger made the cut, they are at their wits end. Up or Out is the name of the game. The fact that Hellinger falls from an office window for no explainable reason doesnt seem to help the situation. Of all people, the young and ambitious Bianca steps in for Hellinger. Öllers and Niederländer are irritated, sarcasm spreads, neuroses break out. The fight for survival within the company takes its toll the AGE OF CANNIBALS dawns.
Brilliant young actress Charlie strikes up an acquaintance with an intriguing stranger while on holiday in Greece, but it rapidly becomes apparent that his intentions are far from romantic.