Joanna David
Somerset 1894. When a pioneering Victorian psychologist brings his vivacious young wife to live on his family’s estate, he is confronted by one disturbing case after another. Are these strange events linked merely by coincidence, or is there something more sinister – more supernatural – going on at Shepzoy?
Millennial entrepreneurs, Drew and Max, run a webcast that streams live exorcisms that are, in fact, elaborately staged hoaxes. But they get their comeuppance when today’s actress becomes mysteriously possessed by a real demon that holds the crew hostage. To make matters worse– the possessed victim is Drew’s fiancée, Lane. In front of a rapidly-growing global audience, the demon subjects Max to a series of violent and humiliating challenges meant to punish him for his online charade. Meanwhile, in an effort to save the love of his life, Drew discovers that the demon’s sinister motive is not only about revenge, but also to expose the dark secrets he, Max, and Lane have been hiding from one another. With only the show clock remaining, it’s a matter of time before either the truth is revealed or the demon forces them to meet their maker.
As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.
Directed by Christopher Menaul (‘Summer in February’, ‘Fatherland) and written by Jenny Lecoat, Another Mother’s Son tells the true story of Louisa Gould, a widow living in Nazi occupied Jersey who takes in a Russian prisoner of war, Feodor Burrij. Jenny Seagrove, Julian Kostov, John Hannah, Ronan Keating and Amanda Abbington star. The producer is Bill Kenwright.
Gertrude Bell, the most powerful woman in the British Empire in her day, shaped the destiny of Iraq after WWI in ways that still reverberate today.
In the present days, Maria Spielrein and Fraser are in Russia making a research about the life of Sabina Spielrein. In the beginning of the Twentieth Century, this Russian girl was a patient treated by Dr. Jung and later they fall in love for each other and Sabina became his lover. While the researchers read the documents, the romance between Sabina and Dr. Jung is disclosed, in a time of revolution and war.
