David Byrne
The 2019 Rock and Roll Hall of Fame induction ceremony took place on March 29 at the Barclays Center in Brooklyn. Def Leppard, Stevie Nicks, Radiohead, Roxy Music, the Zombies and the Cure make up the Class of 2019. They were inducted by a star-studded group of peers including Brian May of Queen, Harry Styles, David Byrne, Simon Le Bon and John Taylor of Duran Duran, Susannah Hoffs of the Bangles and Trent Reznor of Nine Inch Nails. An artist is eligible for the hall of fame 25 years after their first commercial release. The nominating committee creates a shortlist, according to the Hall’s official website, and then sends the ballot to “more than 1,000 historians, members of the music industry and artists — including every living Rock Hall inductee.” The Rock & Roll Hall of Fame has selected the top five vote-getters for induction in the past, but this year seven artists were inducted (Janet Jackson also made the final cut; she was inducted by Janelle Monae).
A filmed version of David Byrne’s Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.
Interwoven with her storied career and prolific works, Twyla Moves sees legendary choreographer Twyla Tharp navigate her latest creative challenge: making a dance for a world plagued by the Covid-19 pandemic.
John Mulaney and his kid pals tackle existential topics for all ages with catchy songs, comedy sketches and special guests in a nostalgic variety special.
A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album “Speaking in Tongues.” The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
In a war-torn country that is plagued by a vicious dragon, Elenn, an arrogant, young noblewoman, accompanies her aunt on a mission to bring an ancient relic to the secret coronation of the rightful king.
David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.
A beautiful journalist will stop at nothing to get revenge for her daughter’s murder. With no help from corrupt cops she decides to take the law into her own hands and joins a vigilante gang of gangsters and football hooligans to track down the sick, sadistic killers and get her justice….
In the summer of 2015, legendary musician David Byrne staged an event at Brooklyn’s Barclays Center to celebrate the art of Color Guard: synchronized dance routines involving flags, rifles, and sabers. Recruiting performers that include the likes of Saint Vincent, Nelly Furtado, Ad-Rock, and Ira Glass to collaborate on original pieces with 10 color guard teams from across the US and Canada, Contemporary Color is a beautifully filmed snapshot of a one-of-a-kind live event.
Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime. On the 25th anniversary of Paul Simon’s GRACELAND, acclaimed documentary filmmaker Joe Berlinger offers a glimpse at the controversy surrounding the decision to record the album in South Africa despite a UN boycott of the nation, which was aimed at ending apartheid. In the run-up to an eagerly anticipated reunion concert, Simon, Quincy Jones, Peter Gabriel, David Byrne, Harry Belafonte, Paul McCartney and others reflect on the decision to record with local artists in South Africa, and the cultural impact of the album that delivered such hits as “I Know What I Know” and “You Can Call Me Al.”
After discovering his wife’s infidelities, Gerry leaves London to look after his deceased brother’s business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother’s life – both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother’s alter ego ‘Mister John’ or returning to London to face his failing relationship.
