Cyd Charisse
A Broadway artiste turns a faded film star’s comeback vehicle into an artsy flop.
In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.
Chuck Redwell is a gambling cowboy who discovers that he’s lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn’t like to hold hands with him, at least not in the beginning…
Three World War II buddies promise to meet at a specified place and time 10 years after the war. They keep their word only to discover how far apart they’ve grown. But the reunion sparks memories of youthful dreams that haven’t been fulfilled — and slowly, the three men reevaluate their lives and try to find a way to renew their friendship.
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers’ collaboration – elaborately staged numbers from their plays, characters’ visits to night clubs, and impromptu performances at parties. We also see Larry’s scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard’s successful wooing of Dorothy Feiner.
Vittles, songs and dance are amply ladeled out when Judy Garland headlines The Harvey Girls, a joyous musical slice of Americana celebrating the restaurants that brought extra helpings of civilization to Old West rail passengers.
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer.