For over 70 years, Jonas Mekas, internationally known as the “godfather” of avant-garde cinema, documented his life in what came to be known as his diary films. From his arrival in New York City as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries-including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all… with a camera.

Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. Part 3 in the Baztan Trilogy.

Inspector Amaia Salazar must return to the Baztan valley in order to solve a series of suicides that seem to follow a similar pattern.

Story follows a group of young Londoners as they struggle to find meaning in their lives while masking their discontent with sex, drugs, and rock ‘n roll.

When the naked body of a teenage girl is found on the banks of the River Baztán, it is quickly linked to a similar murder one month before. Soon, rumours are flying in the nearby village of Elizondo. Is this the work of a ritualistic killer or is it the basajaun, the ‘invisible guardian’ of Basque mythology? Inspector Amaia Salazar leads the investigation, taking her back to the heart of the Basque country where she was born, and where she hoped never to return. Shrouded in mist and surrounded by impenetrable forests, it is a place of unresolved conflicts and a terrible secret from Amaia’s childhood that will come back to haunt her. Faced with the superstitions of the village, Amaia must fight the demons of her past to confront the reality of a serial killer on the loose. But as she is drawn deeper into the investigation, she feels the presence of something darker lurking in the shadows…

Céline, 11, meets Peter, 40. Together they go on a “luminous journey” in his beautiful red truck. She, escaping her desperate and incestuous father; he, far from his native England and the sad memory of his lost wife and daughter. In the course of a few days, a few words, Céline experiences her first true moments of childhood and lightness, exhilaration and trust. Peter goes towards the last days of a life that he offers, like a sublime and aging angel, to this wounded child.