At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.

School is out, and three girls head to the beach for vacation. Two of the girls are world-wise party-goers who attempt to loosen up their naive, virginal friend, whose uncle has allowed the girls to stay at his beach house. When the near-sighted, drug smuggling Captain Bly dumps his cargo of marijuana, the bales wash up on shore. The two party girls, Ginger and Ducky, quickly stuff the dope into giant bags and spirit it back to the beach house, where it fuels a party with assorted misfits, delivery persons, and passersby.

Jason Crockett is an aging, grumpy, physically disabled millionaire who invites his family to his island estate for his birthday celebration. Pickett Smith is a free-lance photographer who is doing a pollution layout for an ecology magazine. Jason Crockett hates nature, poisoning anything that crawls on his property. On the night of his birthday the frogs and other members of nature begin to pay Crockett back.

Two lovers, Mary and Larry, in their Dodge Charger are chased by the police after robbing a grocery store.

Jenny, a deaf runaway who has just arrived in San Francisco’s Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin’ Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin’ Jim’s truth-seeking friend Dave considers the band’s pursuit of success “playing games,” but he agrees to help Jennie anyway.