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Greed results in murder in the tumultuous world of Internet stocks.
A beautiful twenty-something subsequently strikes up an essential conversation with Jack, a happily married, middle-aged and very successful businessman who is seated at another table, having just finished up a business dinner. The pair thereafter stumble into an intense one-night stand that turns into something more complicated and destructive than either of them could have expected.
Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
Ally Darling (Anna Faris) is realizing she’s a little lost in life. Her latest romance has just fizzled out, and she’s just been fired from her marketing job. Then she reads an eye-opening magazine article that warns that 96 percent of women who’ve been with 20 or more lovers are unlikely to find a husband. Determined to turn her life around and prove the article wrong, Ally embarks on a mission to find the perfect mate from among her numerous ex-boyfriends.
Russ Richards is a TV weatherman and local celebrity on the verge of losing his shirt. Desperate to escape financial ruin, he schemes with Crystal the TV station’s lotto ball girl to rig the state lottery drawing. The numbers come up right, but everything else goes wrong as the plan starts to unravel and the game turns rough.
An old, single man leads a retired and lonely life but enjoys it as much as possible. Everything changes when he receives a wrong number phone call, creating a window into the lives of a girl and her live-in partner.
Marco is an anxious nineteen-year-old on the brink of adulthood, with three subjects to make up, a mother who lives with her smartphone in hand, and a brother who dreams of being an indie singer. He’s anti-social and longs to experience love the way it used to be. Aria graduated the previous year, with “one day at a time” tattooed on her arm, and she lives each day as if it were her last. Following a wrongly memorized phone number, Marco and Aria meet and begin to develop feelings for each other… However, Marco is unaware that Aria lives one day at a time, not because she’s as beautiful and rebellious as she tries to appear, but due to a degenerative disease that makes her go to sleep uncertain if there will be a tomorrow. A fun and gripping teen love drama that narrates the incredible and surprising journey that the protagonists will embark upon. All in pursuit of something as simple as it is complicated in today’s world: falling in love.
FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.
When cop David is injured in a drug bust gone wrong, his partner Cal chases the two criminals who shot him. They all land at a remote farm owned by troubled vet Eric, and as Cal and Eric plot their defense, more of the gang arrives – along with a wounded David. Outnumbered, the three heroes must use stealth, smarts, and good shooting to take down the drug-dealing mob.
In 1994 two young twins are found brutally murdered in a summer cottage. A number of clues points in the direction of a group of young upper class students from a nearby boarding school, but the case is closed as a local outsider pleads guilty and is convicted for the murders. When the case ends up on Carls Mørck’s desk 20 years later, he soon realises that something is terribly wrong. As Carl and Assad start investigating the case, they are led on to an old emergency call from a desperate girl who seems to know the secrets of the murders. Soon they are plunged into an intense search for the girl, Kimmie, who has been missing since the murders happened. But Carl and Assad are not the only ones trying to track her down as the girl’s testimonial is of great danger to a group of influential men at the top of society who will do all they can to keep her silent.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
A serial killer is loose on the streets of Atlantic City. His ten victims are prostitutes, his methods are ruthless and yet his motives are unknown. Two embattled homicide detectives, Mayfield and Jesse, are in a race against time to catch this killer. They have just a few hours to utilize all of their resources and prevent murder number eleven. But with very few leads, very little support, and luck playing against them they are in for a long night because being wrong is unforgiving and number eleven is already gone.
