Mitch Wayne is a geologist working for the Hadleys, an oil-rich Texas family. While the patriarch, Jasper, works hard to establish the family business, his irresponsible son, Kyle, is an alcoholic playboy, and his daughter, Marylee, is the town tramp. Mitch harbors a secret love for Kyle’s unsatisfied wife, Lucy — a fact that leaves him exposed when the jealous Marylee accuses him of murder.

Everyyear,venomoussnakeskillover100,000peopleandhospitalizethousandsmore.Despitethisstaggeringnumber,thedeadlyvenomisalsousedtosavelivesintheproductionofanti-venom.There’saproblemthough:anti-venomsuppliesaredwindlingeveryyear,makingthestakesevenhigherforbraveprofessionalswhoharvestthisequallydeadlyandprecioussubstance.NewDiscoveryseriesVENOMHUNTERSwillfollowfourbraveteamsofexpertsnakehunterswhohavethegutsandskillstochasedowntheworld’smostvenomoussnakesandcollectthishighlytoxicliquid.Eachteamhasuniquemotivationsandthrivesonthethrillofthehunt,buttheyallsharethesamegoal:savingthelivesofothers.TheseriespremiereofVENOMHUNTERSdebutsWednesday,Feb.17at10/9conDiscovery.FromtheFloridaswamplandsandtheplainsofOklahoma,totheAustralianoutbackandArizonadesert,thefearlessvenomexpertswillputtheirlivesonthelinetotrack,catchandharvestthevenom…WrittenbyFrank

Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.

The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne’er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.

Intimate, personalized portrait of women of the 1960s through the eyes of one colorful class that graduated in 1969 – same year as Hillary Clinton – and recently turned 65, starting to explore the New Old Age. At a time when these Boomers’ parents were asking less of themselves, many of these distinguished citizens are asking more, feeling a Third Wind. Where will it take them? Some are determined to keep making waves. The trigger for these revelations/reminiscences is the class’s yearbook. Each photo was a collaboration with a sexy Turkish artist, is full of the 60s spirit of risk, rebelliousness, creativity. Indeed, this yearbook wasn’t a book at all. The portraits came to each alumna loose leaf, in a box. Hence our metaphoric title: Unboxed! Written by Anonymous

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers’ force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? “Sweetheart, come.” Written by

Amy Newhouse must now fight the biggest battle of her life – cancer. Her open heart to the people of her school now sparks a passionate rally from the community. However, this passion dwindles as her cancer metastasizes. Her cancer seems to miraculously disappear, but just as it seems the community has prevailed and the battle won, Amy discovers that the deadly disease has returned and is incurable. Amy’s prayers for healing continue, but with the seemingly dried-up support of her community, and an apparent “no” from God, she dies from the one battle she cannot win. However, with her death comes life and redemption of Pampa High, as her club grows exponentially, redeeming the school of the once-rampant violence, drugs, and alcohol that she so passionately fought against, and proving to all doubters that God has a “Greater Yes” after all. Written by Anonymous