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Short on cash and a place to live, a woman agrees to let an old upper-class couple takes care of her and her unborn child, not knowing they have a more sinister plan that involves their only son.
When wealthy treasure hunter Cara Loft is delivered an invitation to meet renowned art collector Dr. Scrotus, the sexy adventurer is thrust head-on into the greatest and most dangerous erotic adventure of her life… the search for the three sacred wombs. With danger at every turn, and beautiful but lethal spy Natasha hot on her heels, Cara must travel to the scorching deserts of Arabia, the untamed jungles of Africa, and the mysterious mountains of Tibet in order to reunite the legendary womb idols of creation.
The Mouth screams. It swells, hunting the night like a snake in the dark. The laceration tears through the stars, devouring its meal. In an infinite womb, limbs drift suspended, like flies in a giant spider web. An infinite sea of pale flesh. Death’s renewal awaits, as the bodies pass into the void.
A dwarf named Ed falls in love with a big woman named Linda. He cuts her open and climbs into her womb to be “born again.”
A womb with a view. Awkward adulthood. The not-so-golden years. Journey through life’s stages with Jamie Demetriou in this musical sketch-comedy special.
The Order of Rights is a pro-life film. The story centers around Emma Stein, a pregnant single girl who has been advised by her mother to have an abortion. Despite the objection of the child’s father, Ethan Carpenter, and his promise to help her, she decides to go ahead with the procedure. When Ethan and his family file a lawsuit on behalf of the child’s right to life, the drama escalates as Emma’s mother, Kerri, contacts a friend in the Associated Press. Before long, the case is mired in media frenzy. The court has to decide whether the child in Emma’s womb is a person or not, and if so, if it is endowed with the unalienable rights as enumerated in the Declaration of Independence. The title, “Order of Rights” refers to the order in which the categories of rights are deliberately listed in the document: Life, Liberty and Pursuit of Happiness.
Maria Garcia (Carmen Maura) is a television journalist and she’s about to be a single mother. Her career foremost in her mind, she doesn’t slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she’s not very interested in. It’s not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby’s due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.
Mary Elizabeth goes to bed alone one night, still a twenty one year old virgin, and wakes up the next morning pregnant. Possessed by the demon fetus growing within her womb, Mary Elizabeth obeys her homicidal cravings to kill, for the sake of her unborn spawn. Mary Elizabeth’s dark transformation is controlled by her unborn demon child’s deadly evil cravings.
Meet Albert, The Magic Pudding, Bunyip Bluegum, a splendid young koala and his seafaring friends Bill Barnacle and Sam Sawnoff. Together they fight off the bungled attempts of pudding thieves, Possum and Wombat, and try to solve the mystery of Bunyip’s parents’ disappearance.
After a major bio-weapon attack on London, two scientists find themselves in a locked-down laboratory with time, and air, running out. With choose-your-own-path style gameplay, your actions and your relationship with other characters will lead you to one of eight suspenseful endings. Having treated the victims of a chemical attack in the totalitarian state of Kindar, Dr Amy Tenant is a leader in the advancement of Nanocell Technology. Now, in London, news breaks of a blood-vomiting civilian whose identity is far from coincidental. Reunited with an old friend, Amy is trapped in an impenetrable HQ of laboratories—a womb of scientific advancement with a perilous secret.
Far away, in the desolate Serbian wilderness, a U.S.-led fracking crew uncover a dormant monster gestating inside a centuries-old French soldier. Now awakened and exposed in its most dangerously fragile state, it tears through the men on the grounds in search of a new womb.
When homicidal clones take over the world, a guilt-ridden scientist tries to protect a group of humans in an isolated farmhouse. But the child growing in his girlfriend’s womb might just spell the end for mankind.
In the wake of a horrific car accident that kills her husband, Michael, expectant mother Madeline Matheson discovers that her daughter, Grace, has died in the womb. Ignoring her doctor’s warnings that the fetus must be removed from her body, a grief-stricken Matheson demands to carry the child to term — even if it endangers her own life to do so. Curiously, little Grace emerges undead — and with a craving for human blood.
The year is 1991, and Spud Milton’s long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.
As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…
Twenty-three years after her hooker mother tried to kill her in the womb Helen remains damaged psychological goods. A mindset that gets worse when she suffers a traumatic head injury in an accident. Awakening in hospital, it’s discovered Helen has a tumour growth in her brain causing her to experience dark visions, disembodied voices and the omnipresence of a strange young woman. Soon, lost in a walking nightmare, in which nothing is what it seems, and her vicious actions barely remembered, it becomes crystal clear that whatever is inside her cracked psyche will stop at nothing to get out.
In 1945 the Second World War came to an end and the Nazis fled. Scientists and military elite escaped across borders and found themselves in new worlds. Some fled to Russia, some the United States and others to South America. But there was another division, a forgotten group. A top secret and powerful team of men and women formed in the womb of the Nazi Occult. Now, decades after the war, their work is nearing completion. The 4th Reich is ready. It’s more powerful and destructive than ever before. An army of hell is coming. Only one man knows the truth. His mission now, is to convince the world. Based on years of occult research and insider knowledge, Dead Walkers is a film packed with spies, soldiers, Nazis and secrets. But also a very dark and mysterious army raised in the pit of Nazi hell.
Identical twins Andy and Pete Goodwynn have been side-by-side since the womb. But that’s about to change… As their high school graduation nears, Pete plans to marry Maggie, the love of his life, and head off to school to become a preacher. Andy, who wants nothing to do with God, has no plans, no direction, and seemingly no future. But in a cruel twist of fate—orchestrated by a rival for Maggie’s heart—their lives are forever altered. Can the brothers gain vengeance on those who have taken away from them all that matters?
