A man finds a ghost sitting in a chair that never moves, and opens up a ghost tourism business for the wealthy. But terrifying occurrences haunt the observers as they uncover the mystery behind the woman in the chair.

Maks is a die-hard womaniser and a notorious liar. When Anna, an attractive young woman, mistakes him for a handicapped person, Maks does not correct her mistake, hoping she’ll be another easy catch. However, Anna has something else in mind – she introduces him to her older sister, Julia, who is confined to a wheelchair herself. Surprisingly, a genuine bond starts to form between the cynical Maks and the lively Julia, but can a lie create solid grounds for a good relationship? Can this love survive?

A wheelchair-bound woman manipulates her family to a point where they suspect she may be unhinged.

Imagine walking down the street and finding an unmarked VHS tape. Curiosity piqued, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair.

Tobias is the new, idealistic priest in a suburb but he soon learns that his flock is quite uninterested in Christianity. However, he befriends Carolina, a chain smoking woman his age, wheelchair-bound since birth. It is opposites attract although their backgrounds are different.

Jocelyn is a selfish and misogynist businessman. He tries to seduce a young pretty woman by pretending to be handicapped, till the day he meets her sister, who is also in a wheelchair.

Unable to face his new reality in a wheelchair, Ángel develops a deadly obsession with the woman who left him and unleashes a sinister revenge plot.

When a wheelchair-bound woman moves back in with her disabled mother, she finds that much more goes on in the independent living apartment complex than she could possibly imagine.

After the passing of her mother, a young woman in a wheelchair since birth, is forced to deal with her sister, brother-in-law, niece and their nanny as they say their goodbyes to mother. When people start turning up dead, Nica discovers the culprit might be a strange doll she received a few days earlier.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia’s fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Due to a near-fatal accident that has left her incapacitated and depleted of her long-term memory, a temporarily wheelchair-bound woman returns home after being abroad for six years accompanied by her bohemian boyfriend, the apparent cause of the accident. Unable to remember her family or her own childhood, she sets out, with the help of her boyfriend, to find the reason for her leaving all those years ago and quickly discovers her relatives may not be as loving as she’d thought

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers’ force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? “Sweetheart, come.” Written by

Two men kidnap the daughter of businesswoman Claudia Villegas. They take her out of the city and keep her locked up, while awaiting further instructions. The boss realizes that Villegas’ daughter was never kidnapped and sends two men to the abandoned factory to clarify what happened. Upon arrival, they find the girl, hooded, and tied to a chair. There’s no clue of the kidnappers either. Slowly, someone appears – they say that the heart can not feel once it’s stopped beating

A woman celebrates her 40th birthday by having her three best friends come and stay with her and her husband for a long weekend. This woman has been in a wheelchair for the past two years, and it has led her to isolate herself inside of her home. Her husband stands by her as he lives with the guilt of causing the car accident which put her in the wheelchair. Over the course of the three day celebration, it is revealed that everyone is struggling with their own lives and identities. When one best friend makes a terrible mistake and betrays the woman on her birthday, everyone is immediately and uncomfortably forced into looking at their own lives and their own limitations.

A young woman is bound to a chair. Her tormentor is in a gas mask. There’s a voice on an intercom. Who are these people and why did they choose her? Written and Directed by Eric Williford

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.

The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.