This is the story of a guy who goes too fast and a big guy who is too slow. Foster meets Taupin. All this would be trivial if one of them had a scary scenario, the scenario of their lives and their deaths. Just open the pages and shake.

When a top-secret laboratory is unexpectedly breached, thousands of rampaging raptors are unleashed on Los Angeles! A black-ops unit is mobilized to contain the creatures before they cause city-wide chaos. Simultaneously, a truckload of raptors is rerouted to a nearby prison. Upon their escape, these ferocious flesh-eaters are beyond containment. This is Jurassic judgment night for smoking hot sorority girls, sinister scientists, muscle-bound military and doomed death-row inmates! It’s about to get bloody in Jurassic City!

The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”