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Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.
According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs. This young lion, whom will be known as Letsatsi, is cast from his pride and forced to embark upon a perilous journey of survival.
Two brothers, who meet once a year at a cabin in Big Bear to hunt white-tailed deer for a week, uncover hidden family secrets and lies when their stepbrother drops by for an evening, changing their lives forever.
In a remote corner of England’s Peak District, a mysterious skull is unearthed. But even weirder is that Lady Sylvia steals the skull for use in worshiping – very erotically – her pagan god, The White Worm, who hungers for the taste of virginal flesh.
From the director of Koyaanisqatsi, an astonishing film that documents the drama of how we both live and witness what we experience. Shot in rich black and white Godfrey Reggio’s latest film finds the full spectrum of emotion in human faces, gorgeous landscapes and even the behaviour of an especially expressive gorilla.
Master Kung and Lo Pa are two police officers of White Horse City, who have high skills but are underused. A robbery happened at he city’s richest man Ho Pak Man’s home where his whole family was killed and their family treasure the “White Jade Goddess of Mercy” was stolen and the “Police God” Tit Mo Ching investigates the case. Kung and Lo Pa cannot participate because of their low status. Coincidentally, Master Kung and Lo Pa arrest a pair of twin sisters, Water Dragon Girl and Fire Dragon Girl, who always pretend to catch wanted criminals to get monetary rewards. The twin sisters know that the “White Jade Goddess of Mercy” would be brought to the “Treasure Inn” for an auction. Wanting to hit big, Master Kung and Lo Pa go to the “Treasure Inn” with the twin sisters to investigate the truth. During that time, Master Kung and Water Dragon Girl become lovers from a kiss.
Here Chang Siu Tai is the son of Master Chang, a renowned chiropractor bone-setter operating a clinic in a poor neighborhood in an unidentified city in early 20th century China. Siu Tai works for his father and studies bone-setting and kung fu under him, but gets into lots of trouble, especially after white foreigners and their westernized Chinese enablers descend on the town in hopes of acquiring a valuable statue of the Goddess of Mercy on display at a local Buddhist temple.
An intoxicated millionaire commissions an expedition to Africa. A white jungle goddess falls in love with the millionaire’s daring consort, incurring the wrath of the jungle itself.
It is late spring of 1942, and the Great Patriotic War is in full swing. A long way off from the front-line, at some God-forgotten junction, the Germans make an air landing operation in an attempt to get through to the Kirov railway and the White Sea – the Baltic Sea Canal. These aren’t just ordinary paratroopers. This is a team of seasoned and highly trained infiltrators, the elite of the Waffen-SS, superhumans. The only thing in their way is an anti-aircraft artillery unit of corporal Vaskov and five young women in training. It may seem like a fight of local significance, but the countrys main strategic transportation artery is at stake. Can the corporal and his ‘petite newbies’ prevent Nazi sabotage and at what cost? Television version: An extended version made out of four 45 minute episodes was released on Channel One Russia, on 9 May 2016. Available on PrimeVideo.
Gu Wentong, a middle-aged food critic, is drifting through the local eateries of vibrant Beijing with his younger photographer colleague Oyang. A divorcé with a 6-year-old daughter and estranged from his father for decades, he is looking for a new perspective on life while reconsidering his failings as a father, a son, and a lover. While the seasons come and go, people get together and move apart. Only one thing will remain the same: The White Pagoda where they all meet sooner or later.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.
ROAD 2: THE SEA OF GLASS AND FIRE picks up where the first film in the series ends. After the rapture has taken place, JOSH MCMANUS (David A. R. White) is left behind and goes on a journey to find out what has happened and attempts to travel home to find his family. Before he can go anywhere, he is confronted again by the biker gang that harassed him previously and he joins forces with a young girl whose family has been taken up into the sky by God along with other believers. Chasing Josh at every turn is the brutal outlaw HAWG (Brian Bosworth) and his rolling gang of killers. On the day after the Biblical rapture, law and order have broken down – the highways have become a no-mans-land of bandits and looters. Josh’s world has been shaken to the core, and he must make a choice, embrace his past as a man of violence, or learn a new path and become a man of faith. Which will he choose?
A woman (Lynn Whitfield) dying of kidney disease learns that God works in mysterious ways after convincing her son (Michael Jai White) to help a repentant ex-con (Byron Minns) whose unexpected presence prompts a startling deathbed confession.
