Leyla, a beautiful and feisty middle-aged woman, lives with her mother, whose nagging has become everyday background music. The two women fight shamelessly and cruelly, and in protest against her mother Leyla makes choices that even she herself finds a bit startling. Ahmet is a taxi driver, years younger than Leyla and confused after his father’s death. He still has to report his every step to his mother and obey his uncle who is the head of the family.

Tanner Gray is shocked to learn after the death of his ex-wife Andrea that he has a 25 year-old daughter, Cyd. He and his wife had met on a cruise over 25 years ago where they both worked as dance instructors. They fell in love and married but while Andrea wanted to settle down in her small hometown and take over her parents dance studio Tanner came from a small town and wanted to travel before settling down. He went off on his own but when he was finally ready to come home, Andrea told him not to bother and they hadn’t spoken since. Now, Cyd is under pressure to sell the studio to a land developer but Andrea always left Tanner’s name on the deed so he would have to agree to any sale. He only has Cyd’s best interests at heart but as he gets to know her, he doesn’t think selling is the right thing to do.

Celebrating the joys of an Irish Wedding in all its pleasant predictability – the requisite chats about the weather, the haggle over the beef or salmon, the losing of the rings, the ditching of the heels, the intergenerational whirl around the dancefloor. Alex Fegan (Older than Ireland, The Irish Pub) captures all that is familiar but also conveys the momentousness of the day from the pre-wedding nerves, to the tenderness of the first kiss, from the affectionate humour of the speeches to the melancholy moments as absent friends are remembered. The Irish Wedding presents a pleasingly diverse community of brides and grooms in this warm-hearted and thoroughly entertaining survey of Irish nuptial activity.

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland’s 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

Fred Astaire (Tom) and Jane Powell (Ellen) are asked to perform as a dance team in England at the time of Princess Elizabeth’s wedding. As brother and sister, each develops a British love interest, Ellen with Lord John Brindale (Peter Lawford) and Tom with dancer Anne Ashmond (Sarah Churchill–Winston’s daughter).

Hope is tasked with teaching Manhattan’s former “Most Eligible Bachelor” how to dance for his extravagant, society wedding. But as the dance lessons progress, complications ensue when feelings begin to develop between student and instructor.

Lovestruck: The Musical: Tells the story of Harper (Jane Seymour), one of the best dancers to hit Broadway. But an injury caused her to leave the spotlight, become a choreographer, and raise her daughter, Mirabella (Sara Paxton). When Mirabella, the star of Harper’s next big production, decides to quit the show to get married, her mother is determined to put a stop to the wedding and show Mirabella that she cannot give up her career for love, especially to marry playboy Marco (Alexander DiPersia).

A mild mannered, single mother, Katrina Jackson (Angel Conwell), and A.D.D. sufferer, DeMarco Gamble (London Brown) are two admiring parents raising their daughter in cut off households. When DeMarco falls in elevate bearing in mind different girl, Vilisa Whitaker (Faune Watkins), and plans a Christmas Wedding; Katrina sets in motion a diabolical turn toward to spoil their fairytale wedding. Sean Patrick Thomas (Save the Last Dance), Clifton Powell (Ray) and Jason Weaver (Drumline) round out the cast.

Rusty Parker, a red-headed leggy dancer at Danny McGuire’s Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a ‘Cover Girl’ as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle’s granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century.

When a bubbly American hip hop dancer goes to India with her family for a wedding, she is impressed by a new dance style and falls in love with the man who introduced her to it.

Lucky is tricked into missing his wedding to Margaret by the other members of Pop’s magic and dance act, and has to make $25,000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricardo—the band leader who won’t play for them to dance together.

Love Actually… Sucks! was inspired by real-life events, and opens with a dramatic wedding feast. It tells a variety of stories about love that has gone wrong: a brother and sister in an illicit relationship, a married painter who falls in love with his young male life model, a dance school teacher who is besotted with his senior student, and a lesbian couple, one of whom has role-play paranoia, and is caught in a complex love triangle. The film celebrates the belief that life is love.

A week before her wedding, beautiful dance studio instructor Amber Clarke suddenly finds herself the obsession of Hunter, the brooding, sexy, exotic male dancer from her bachelorette party, who is harboring a very dark vendetta and will stop at nothing to keep Amber from tying the knot.