A man afflicted with clairvoyance tries to change his fate when a series of events leads to a vision of his own imminent murder.

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Fifteen years ago, Joanna Kennedy’s life was turned upside down when her three-year-old daughter, Chloe, went missing for six months before being returned. Joanna finds herself searching again for answers and determined to find out if her daughter left of her own volition or has she been kidnapped yet again, and if so, is it at the hands of the woman who abducted her all those years before or someone else…and why?

Ada, a reserved young woman with a passion for entomology, travels north with Marissa, her free-spirited musician girlfriend. She’s finally meeting the three brothers who helped raise Marissa: the paternal Ozzie, sensitive Arthur, and wild child Wren. As Marissa and her kin settle into their familial dynamics, Ada finds herself on the outside looking in. Desperate to make a good impression over the course of a weekend packed with fun and frivolity, Ada instead struggles to find common ground, opening fissures in the one relationship she needs the most.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.