The Romanian penitentiary system allows, from 2006, the marriage of people sentenced to serve time in prison. Most of the inmates cultivate the pre-existing relationships with the concubines or partners who live outside the prison walls. Though, there is a special category, of those who find a life partner during their time in prison. VISITING ROOM follows the stories of some prisoners found in different penitentiaries across the country, who have found their life partner during their sentence time. The one is either a person from outside, or as them, a person who is serving time in prison. Our intention was to talk to the people found in the special situation of being deprived of freedom, to whom love becomes a substitute for freedom and represents maybe their only hope for a better future.

While visiting a cabin with her husband, Julianne becomes disturbed with horrific visions which question her sanity.

The year is 1914 and Richard Hannay, Mining Engineer who is visiting Britain for a short time before returning to South Africa, is shocked when one of his neighbours, Colonel Scudder, bursts into his rooms one night and tells him a story that Prussian ‘sleeper’ agents are planning to pre-start World War I by murdering a visiting foreign minister. However, Scudder is murdered and Hannay is framed for the death by the ‘sleepers’. Fleeing to Scotland Hannay attempts to clear his name and to stop the agents with the aid of Alex Mackenzie but not only is he is chased by Chief Supt Lomas for Scudder’s death but by the agents who are headed by Appleton who has managed to hide himself in a high-placed position in the British Government…

Cat and Gene have been divorced for several years. They are both visiting their son and their grandchildren, Sydney and Willie. Willie’s a genius who develops a formula that makes who uses it young again, it inadvertently spills into some soap that Willie places in his grandparents room. When each of them uses it they finds themselves 17 again. Willie had to find a way to reverse the process but will his grandparents want to be old again?

Fourteen years after graduation, a group of college friends convenes one weekend for a bridal shower for one of their own. The principal character, Joss (Gabrielle Anwar), and her freshman year roommate and best friend in college, Cait (Thea Gill), have been estranged for years, ever since Joss learned that her fiancé had been visiting Cait on the night he died in a motorcycle accident. As part of a recovery program, Cait wants to make up with Joss, but she dies before she can explain. Was her death an accident, a suicide, or something more sinister?

It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.

The Caldwells take a family trip to Puerto Rico where their father is also securing a secret business deal, while the kids find their own paths. Eight years have passed since the events of Au Pair, and newly graduated as his high school’s valedictorian, Alexander Caldwell joins his visiting sister, college freshman Katie and her roommate Ariana on a family summer vacation with father Oliver and stepmother Jenny. Oliver and Jenny’s current nanny declines to join them and the over-worked parents/executives must take care of their newborn baby Sarah in Puerto Rico. Amidst corporate scheming by the young company CFO Walter Hausen, who is planning a takeover of Oliver’s company CCI Tekhausen (formed in Au Pair II), Oliver and Jenny must contend with bridging the generation gap with the family, new career motivations and the romances of their ‘newly reformed’ prankster kids.