Search
Celeste has it all – a successful career, a handsome boyfriend and a luxurious new apartment with a breathtaking view of the city. However, Celeste’s dream life becomes a nightmare when she’s targeted by a menacing voyeur, who terrorizes her with anonymous packages and grim nocturnal phone calls.
In the National Geographic Channel special, “George W. Bush: The 9-11 Interview,” the former President talks about the chaotic moments after the attacks and the reasoning behind decisions he made that day. Bush reflects on being told about the attacks while visiting schoolchildren in Florida and the difficulty in getting accurate information in what he calls “the fog of war.” He also talks about returning to the White House to address Americans in the hours after the terrorist attacks. Fearing a possible psychological boost for al-Qaeda, Bush said he, quote, “damn sure wasn’t going to give it from a bunker in Nebraska.” The former President recalls the emotional visit to Ground Zero just three days after the World Trade Center Towers were destroyed. He describes “a palpable bloodlust” among workers in the ruins who were encouraging him to retaliate against those behind the attacks.
A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla, exploring how Vergès assisted, from the 1960s onwards, anti-imperialist terrorist cells operating in Africa, Europe, and the Middle East. Participants interviewed include Algerian nationalists Yacef Saadi, Zohra Drif, Djamila Bouhired and Abderrahmane Benhamida, Khmer Rouge members Nuon Chea and Khieu Samphan, once far-left activists Hans-Joachim Klein and Magdalena Kopp, terrorist Carlos the Jackal, lawyer Isabelle Coutant-Peyre, neo-Nazi Ahmed Huber, Palestinian politician Bassam Abu Sharif, Lebanese politician Karim Pakradouni, political cartoonist Siné, former spy Claude Moniquet, novelist and ghostwriter Lionel Duroy, and investigative journalist Oliver Schröm.
The inside story behind the hunt for ISIS poster boy “Jihadi John” by the US and British military and intelligence services. An interrogation of the twisted worldview espoused by ISIS and its propaganda machine which was operated by “Jihadi millennials” who turned social media sites such as Twitter and YouTube into recruitment platforms.
CIA vs. Bin Laden. 20 years after 9/11 and 10 years after his death. The most revealing documentary ever produced about the 10 year hunt for Osama Bin Laden by the Central Intelligence Agency. We interview former Directors, CIA case officers, military leaders, members of European intelligence services, and US Congressman who played direct roles in the hunt and elimination of the world’s #1 terrorist. Many of the people most deeply involved with the hunt and killing of Bin Laden have been reluctant to share their stories until now. There was simply no benefit for these quiet professionals, their families, or the agencies they served to be in the public eye. But they have collectively decided that now is the time – to go on record and tell their stories before it’s too late. As far as possible, we will permit testimonies of those who dealt directly with the ex-Al Qaeda leader. His family, his lieutenants, his fighters.
Late night lab technician Tina warns viewers of five tantalizing tales of terror and cautions them before watching. Little does she know a shadowy menace prowls the dark office halls, closing in on her as the witching hour fast approaches. Will she survive the night?
Kenneth Bianchi, one of the two serial rapists and killers who terrorized the Los Angeles area in the late 1970s, is giving police station interviews to psychiatrist Samantha Stone, who has disquieting lifestyle issues of her own. It falls to her to delve into the details of the case to determine the veracity of Bianchi’s claims of multiple personality disorder, but in so doing, she is forced to relive the horrific crimes, one of which occurs at her very doorstep.
From 5 different point of views a story unfolds about three beautiful intoxicated ladies that venture out on a terrorizing crime spree intersecting with dangerous men and others on their own drug induced killing sprees in Detroit.
When Candace leaves northern New Jersey for Miami, Florida, to escape the violence and poverty; her reality becomes a nightmare. Forced to take a detour in North Carolina from Interstate 95 because of an accident and her mechanically unstable car; she quickly finds herself fighting for her life in a redneck nightmare. Candace is forced to deal with a psychopathic doctor, holding her captive and running an international human trafficking ring and then she faces one of the scariest horror icons to ever be seen on screen. The homicidal, deranged killer clown known as Poppy that enforces the evil doctors asylum of death, sex and torture. Thais film will set a new standard for horror films bringing the ultimate in psychological terror. Keeping viewers on the edge of their seats with a lot of twists and turns along the way.
Rimini, 1991. For more than a year, the uno bianca gang – they always use a white Fiat Uno – has plagued the area. Their crimes are violent, sometimes killing carabineri, and there’s no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters.
The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner’s pilot script, written in March 2001, posited a re-invented CIA tasked with a “War on Terror” after Osama Bin Laden’s Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season.
The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and “The Agency”, at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season’s final episode.
It follows a cop, a boxer, an IRA soldier, and a priest as they get entangled in one of America’s biggest robberies. In an exclusive tell-all, never-before-seen interviews reveal missing millions, terrorism, and murder in the Brinks heist that took $7.4 million from an armored car depot.
Dolours Price, the infamous IRA radical convicted of bombing England’s Old Bailey in 1973, granted a series of revealing interviews in 2010 on the strict condition of their posthumous release. The interviews, brought to life through vividly cinematic reenactments, uncover the birth of her fierce commitment to Irish Republicanism. Price revisits the bombing and the 200-day hunger strike that followed, and discusses her role in the disappearances of some suspected Republican informants. With 2018 marking the 20th anniversary since the signing of the Good Friday Agreement, and 50 years since the start of the Troubles, filmmaker Maurice Sweeney presents an eye-opening portrait of a once passionate, now disillusioned nationalist whose clarity of purpose both inspired allegiance and promised terror for so many.
In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
Recounts the dramatic story of the April 2013 terrorist attack at the Boston Marathon through the experiences of individuals whose lives were affected. Ranging from the events of the day to the death-penalty sentencing of Dzhokhar Tsarnaev, the film features surveillance footage, news clips, home movies and exclusive interviews with survivors and their families, as well as first responders, investigators, government officials and reporters from the Boston Globe, which won a Pulitzer Prize for its coverage of the bombing. In the wake of terrorism, a newlywed couple, a mother and daughter, and two brothers – all gravely injured by the blast – face the challenges of physical and emotional recovery as they and their families strive to reclaim their lives and communities.
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
Filmed at The Lincoln Theatre in Washington, D.C., “Trevor Noah: Lost in Translation” brings Noah’s unique world-view and global analysis of American culture to the forefront. In the special, Noah addresses major domestic and international events of the past year, sharing his outlook on the world today, including terrorism, racial tensions in America and what it was like being African and travelling into the United States during the EBOLA crisis.
Juliet, a beautiful doctor, has found the perfect New York apartment to start a new life after separating from her husband. It’s got spacious rooms, a spectacular view, and a handy, handsome landlord. But there are secrets behind every wall and terror in every room as Juliet gets the unnerving feeling that she is not alone.
Forget about nuclear missiles, the decisive weapon of the twentieth century is the car bomb. After Iraq we now know you can defeat a Superpower, start a civil war or just blow up your own Government with a trunk load of home-made explosives and a battered old car. From the Middle East, Oklahoma, Ireland and the streets of the City of London the car bomb has shaped human conflict. Even today the car bomb remains the number one terrorist threat across the world. In this film, ex-CIA agent Robert Baer uncovers the history of this extraordinary weapon. With footage of car bomb attacks and interviews with car bombers, Baer reveals how the century of the car turned into the century of the car bomb. And how a dream of freedom turned nightmare.
In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel’s intelligence and security agency — speak about their role in Israel’s decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means. (TIFF)
After 6 years of brutal murders the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire, but things become more difficult for the Police when they discover they not only have The Ripper to catch, but a copycat killer is also at large. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police’s Ripper investigation, with the help of John Nolan and Helen Marshall, both detectives from the Manchester Police, they decide to go back and look at the crime reports from the Rippers victims to see what they could have missed.
The Legend of Korra is an American animated television series that premiered on the Nickelodeon television network in 2012. It was created by Bryan Konietzko and Michael Dante DiMartino as a sequel to their series Avatar: The Last Airbender, which aired on Nickelodeon from 2005 to 2008. Several people involved with creating Avatar, including designer Joaquim Dos Santos and composers Jeremy Zuckerman and Benjamin Wynn, returned to work on The Legend of Korra.
The series is set in a fictional universe where some people can manipulate, or “bend”, the elements of water, earth, fire, or air. Only one person, the “Avatar”, can bend all four elements, and is responsible for maintaining balance in the world. The series follows Avatar Korra, the successor of Aang from the previous series, as she faces political and spiritual unrest in a modernizing world.
The series, whose style is strongly influenced by Japanese animation, has been a critical and commercial success. It obtained the highest audience total for an animated series in the United States in 2012. The series was praised by reviewers for its high production values and for addressing difficult sociopolitical issues such as social unrest and terrorism. It was initially conceived as a miniseries of 12 episodes, but it is now set to run for 52 episodes separated into four seasons, each of which tells a separate story.