ZOMBEX tells the story of a post-Katrina New Orleans as it deals with a new disaster, a zombie apocalypse. NOLA residents are no longer experiencing the depression and post-traumatic stress due to the trauma of the hurricane, thanks to the revolutionary ZOMBEX – a rogue, yet, “clinically-proven” anti-depressant pharmaceutical manufactured by a nefarious organization. For those who call the Big Easy their home, everything is just now turning around for them. Or, could it just be the drug, ZOMBEX, talking… Just as things are turning around for the city and its people, they once again must face a disaster of epic proportions. Only this time, they’re dealing with the prospect of losing the people of New Orleans as they turn into the city’s walking dead.

It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.