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Helsinki, 1945. The end of the war brings a new sense of artistic and social freedom for painter Tove Jansson. While focusing her artistic dreams on painting, the enchanting tales of the ‘Moomin’ creatures she told to scared children in bomb shelters, rapidly take on a life of their own, bringing international fame.
Set in the early ’40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. Written by alfiehitchie
Monika, a middle-aged wealthy woman, goes through a marriage crisis with her younger husband Linas. A car accident leads Monika to meeting three young girls, Kristina, Egle and Gitana, who happen to be ex-prostitutes extradited from Germany. The lady and the girls settle down in a country mansion, to form a relationship that will change their lives forever
Filmed in various places over the globe, Ghost Strata explores the differing scales of impact that humanity’s presence has on the earth in the past, present and into the future. Found sound and text create a meditation on time, memory, leftovers and extinction.
Just three days out from their wedding day, Jess and Max are ready to call it quits from the out-of-control planning. They visit Billie, the owner of a wedding donation company, specializing in donating leftover wedding elements to those in need. However when Max’s brother Charlie will stop at nothing to keep them together, he enlists the help of Billie to ensure this meant-to-be couple gets hitched once and for all.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Looking for a baby-sitter for the night, Marc Schaudel entrusts his son Remy to the care of his employee Franck, a straight man. But the thing that Marc doesn’t know, is that Franck is getting 30 years old this weekend and that his son Remy is a very capricious child. The next day, Marc and his wife Claire are awakened by a call from the police. Remy and Franck are missing, and the house is totally devastated. The police finds a camera in the leftovers. Marc, Claire and the police start watching the video that has been recorded the day before during the night and find out what happened to Franck and Remy.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father’s will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
In 2009, actors Hugh Jackman and his wife, Deborra-lee Furness, traveled to Ethiopia as ambassadors for World Vision Australia, one of the world’s largest humanitarian aid organizations. As longtime donors, the Jackmans wanted to visit a World Vision community development project to see how rural communities were being empowered to eradicate poverty. While in the Yirgacheffe region, Hugh met a 27 year-old coffee farmer named Dukale, working to lift his family out of poverty. Spending time on Dukale’s farm, Hugh learned first-hand about the value of fair trade coffee and clean cookstove technology. (C) Official Site
After years of success, Zaytoven still finds himself stuck in the middle of being a great producer and a mainstream producer, fighting for the #1 spot while keeping his principles intact. When Zay and his cousin Nuke get’s confronted by a ole friends widow, Trish played by “KASH DOLL”, demanding payment from her Husbands abandoned music royalties. The cousins find themselves yet in another bind. Trish convince her brother Rock played by “JOSIAH MCCORMICK” and up coming producer idol turned rival, Ryan played by “TROUBLE” to extort Zaytoven and Co. at all cost. Tested by fans, media, friends and even family Zaytoven maneuver through the fight of his life in this twisted; made up Hollywood fantasy we call entertainment. This dramatic story unfolds as two cousins once again navigate through the industry.
The Residue of a Relationship is a short film that looks at the leftovers of love and tries to piece together what it all means.
For the thirtysomething Sheng Ruxi, whose surname unmistakably echoes the slang term “sheng nu” (leftover women), the wait for a perfect partner is growing more despairing by the day. With an ultra-anxious mother who would rather die than see her daughter stay single, Ruxi is further annoyed by the doctor she’s fixed up with. Could her new colleague, the dashing 25-year-old Ma Sai, offer last-minute salvation?