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Produced and directed by Yuzuru Hanyu. The first-ever solo ice show at Tokyo Dome “GIFT,” a story that self-portrays Yuzuru Hanyu’s life and future on the ice. Featuring MIKIKO as the director. The show will finally open for one night only on February 26, 2023.
Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)
The OVA adapts the third story in the Tokyo Ghoul: Hibi novel when Shuu Tsukiyama and Chie Hori met.
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father’s heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
The Pink Panthers have stolen over £270m in diamonds in more than 241 robberies in cities from Paris to Tokyo. The film explores the rise of the group during the 1990s Balkan conflict when economic sanctions imposed on Serbia fueled illegal activities. The criminals reveal an underworld driven by fast wealth and paranoia, while the detectives and inspectors, who are working with Interpol, are on a mission to stop their crime spree with growing success.
Following a group of British skateboarders on their journey towards Tokyo 2020, where skateboarding will make its debut as an Olympic sport, Boarders tells the story of skateboarding in the UK – from arriving in the early 70s all the way…
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: being tried and convicted as war criminals.
The story follows a trio of Japanese youths of Chinese descent who escape their semi-rural upbringing and relocate to Shinjuku, Tokyo, where they befriend a troubled Shanghai prostitute and fall foul of a local crime syndicate. Like many of Miike’s works, the film examines the underbelly of respectable Japanese society and the problems of assimilation faced by non-ethnically Japanese people in Japan.
The story focuses on the 16-year-old Protagonist after he is transferred to Shujin High School in Tokyo. Staying with friends of his parents, he meets up with two fellow students, problem child Ryuuji Sakamoto and withdrawn Anne Takamaki, and a talking, shape-shifting cat-like creature known as Morgana. During his time there, feeling suppressed by their environment, the four form a group known as the “Phantom Thieves,” working together to carry out heists and encountering mysterious phenomena along the way.
There are 3 kittens in this story, and as we watch these cute bundles of fur grow we learn how our feline companions adapt in very diverse environments. Each of our kittens, from Tokyo to France, has a unique and fascinating world to explore! Resist watching if you can….
The story takes place within Neo Tokyo in the year 2025, five years after a severe terrorist attack at the 2020 Tokyo Olympics. Students possessing special abilities are forced into serving an elite anti-terrorist unit created by the United Nations, fighting against threats including other ability users. If these agents fail their mission, they will be killed along with their families, who have bombs planted within their heads. One member of this covert ops unit, a Swedish girl by the name of Anthea Kallenberg, seeks to find who she really is.
A man and a woman committed double suicide in Kanazawa City. Immediately after the incident, Yoshiko Shiota, a woman living in Tokyo, contacts the local newspaper of Kanazawa, saying she wants to read the novel serialized in it by Ryuji Sugimoto. How did this woman know the novel is serialized in the newspaper? And why does she want to start reading it in the middle of the story? Which article was she actually interested in? Sugimoto cannot help making his own investigations about Yoshiko, but the more he searches, the more astonishing facts come to light…
Imagine a world where video games reign supreme. Five story buildings filled with arcade cabinets, old and new, inundate the streets. Welcome to downtown Tokyo, Japan. A place where the arcades of the 80s and 90s not only still exist, but thrive and have evolved into an elaborate, unmatchable gaming experience. 100 Yen is a historical documentary about the evolution of arcades and the culture surrounding it – from the birth of arcades to the game centers that still thrive today. With a predominant focus on the three major arcade genres, Shooting games, Fighting games and Rhythm games, 100 Yen explores the culture and evolution of arcades through the past and present. Featuring interviews with industry professionals, game programmers and designers, casual gamers and gaming icons from Japan, Canada, and the USA.
