In Philadelphia for the weekend, Tessa and Ben, a couple on the rocks, rent a room in the apartment of Adam, a reclusive stranger who quickly becomes an unwilling voyeur to the most private parts of the couple’s life. Tensions rise as the three enter an intimate battle to gain and reclaim territory.

Angie (Marshall) could have been one of Australia’s leading musicians, but she sabotaged her own career. Now in her forties, she’s dying and alone – but determined to record one last album. Money is tight and the odd gig at the local pub doesn’t exactly fill the coffers. When she meets teenage runaway Ruby (Maisie Owens), the pair form an unlikely bond. Angie teaches her to play the guitar and write songs, but despite their closeness Angie just can’t bring herself to tell Ruby the truth about her illness. Marshall’s own songs, and resonant voice, alongside the Newcastle setting, bring a tender authenticity to this rebellious music-driven drama.

Eddy does what he has to do to give his family what they want. For the last 25 years, he has secretly moonlighted as a “standover” man, purely to provide his aspirational wife with her dream house and a privileged upbringing for his only daughter. Eddy finds it hard to express how he feels, especially now that his “little girl” is engaged and will soon be leaving the family home. Chantelle believes her emotionally blocked father has only two feelings “angry” and “very angry” and feels her father just doesn’t understand her. Eddy is perplexed: “What’s to understand?” Herein lies the problem. Over eager to get on the same wavelength as his daughter and recapture the closeness they once had, Eddy starts reading Chantelle’s diary. In the process, more secrets than anyone was prepared for, begin to surface with devastating yet hilarious results. Eddy rides the storm and once the dust settles, all is well… for now.

Told partly through the eyes of a dementia sufferer, populated by ‘ghosts’ from his past, The Barber portrays a father and son at a crossroad. As Miles struggles to shave the elderly and unloving father he’s planning to put in a home, the physical closeness unleashes emotions and a bond that neither of them had thought was there.

Dance teacher and mother Nadja left her son Mario with her own mother when he was little. Now she has reappeared on his doorstep, seeking a closeness that knows fewer and fewer boundaries. An uncompromising film about family relationships.

While she fights a heroic battle against the Spanish besieger with her female army, Kenau, driven by hate and sorrow of the execution of her youngest daughter, is threatened to also lose her eldest daughter, because her fear and pain are covered by her stubborn closeness.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

The story of a famous old sculptor, weary of life and the folly of men, who finds, thanks to the arrival of a Spanish girl escaped from a refugee camp, the desire to return to work and sculpt your final work in occupied France in 1943. Model and artist, as they work, speak with simplicity and closeness to everything around them: The life and death, the injustice of the war, youth and old age, the search for beauty in times of horror, the sense and the need for art …

A vision of an unconventional family together with their conflicts and rivalry, a vision full of ironic sense of humour but also emotional moments and true closeness. When the elder brother, Andrzej, suddenly falls ill, despite their differences and a wall of misunderstandings that has grown between them, his younger brother is taking it upon himself to care for his brother in need.