Cheng-han and his three buddies grew up in dysfunctional and poor families without adults protecting them. One weekend, they meet Pin-ran, who is traveling alone. They have a great time together and Pin-ran joins their “Robinhood” activities and commits crimes: Theft and robberies. However, the boys soon realize that Pin-ran belongs to another world. Cheng-han discovers that he has feelings for Pin-ran. His buddies have other wishes and desires…

Two young dreamers coast through Bogota’s alleys on the day of Iron Maiden’s first ever concert in Colombia. However, their day is wrecked when hoodlums steal their most valued possessions: the tickets to see their favorite band.

It’s 1984, and Michael Jackson is king – even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy’s father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.

A pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize two young girls on a train trip from Germany to Italy.

Two young hoodlums (including a young Martin Sheen) terrorize the passengers of a late night New York City subway train.

Meera and Arjun are professionals living in Gurgaon. On their way to a luxurious desert holiday they stop on a Highway dhaba for dinner, where they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

The basic story of a young criminal not quite living up to his won ideals of “not to give a damn” sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they’ve done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn’t help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.