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Based on a satirical short story by Fyodor Dostoyevsky concerning the escapades of a Russian civil servant.
The Story of Plastic is a seething expose uncovering the ugly truth behind the current global plastic pollution crisis. Striking footage shot over three continents illustrates the ongoing catastrophe: fields full of garbage, veritable mountains of trash; rivers and seas clogged with waste; and skies choked with the poisonous runoff from plastic production and recycling processes with no end in sight. Original animations, interviews with experts and activists, and never-before-filmed scenes reveal the disastrous consequences of the flood of plastic smothering ecosystems and poisoning communities around the world – and the global movement rising up in response.
In this playfully provocative story set amidst the often-turbulent backdrop of gentrification, things get hot when an openly gay white couple moves into an East L.A. neighborhood where the locals have more than skeletons in their closets. The arrival of the Anglo newcomers rocks the quiet world of Diego Campos (Rene Alvarado), a handsome young local who is tired of being played for a boy toy by his closeted real estate agent lover Pablo (David Beron). Will Diego stay at home and fulfill his Mexican grandmother’s desire for him to inherit the family restaurant – or will he follow his heart and become a chef in the big city? Award winning producer Carlos Portugal makes his directorial debut with a winning combination of quirky characters, rich storylines and suggestive situations that will appeal to fans of Latino telenovelas and popular series such as “Sex and the City,” “Ugly Betty” and “Queer As Folk.”
Darius Thomas’ family history is filled with tragedy. Three generations of Thomas men have all taken their own lives, all struggling with mental illness. A promising writing career threatens to be side lined as mental illness once again rears its ugly head, this time taking aim directly at Darius. Struggling to deal with his new reality and surrounded by pressure from all sides, Darius must decide if he will face the beast head on…..or crash right into his family’s history.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
Back in the 1800’s a lady gives birth to a monster. They decide that the baby is too ugly to name, therefore the monster is known as the “Unnamable”. The creature brutally slaughters his family, and gets trapped in a vault. Go ahead to 1988, and some college students have heard the story about the unnamable and want to check out the vault.
