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Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can’t sleep: Mr. Bartoloni wasn’t joking and he is in a desperate need for money…
Three vixens have meditated for 1,000 years to able to shed their animal natures and become human. For the final month of their rigors, they have moved near a village where women pray to a god of fertility. One sister visits the god’s temple and thinks lustful thoughts. As she leaves, a priest confronts her, warning of dire consequences and of demons that will try to stop the vixens’ transformation. Soon, the youngest sister saves a poor scholar from bandits and becomes enamored of him. Each sister visits him, and before long, the youth has made love to all three. After they invite him to stay with them, the playfulness takes a scary turn. Where can they turn for help?
Set in a poor countryside in the Southwest region in the 1990s, That Son Tam Linh tells the story in which the central character is a scholar with an ambitious and cruel ambition. Mindful of possessing mysterious powers, he did not hesitate to hand out to kill 4 young girls.
“Jealous” man-killer Mayumi (Hitomi Kozue) is sent back into solitary confinement after being re-arrested for the murder of the doctor who fingered her for a botched surgery. After emerging from solitary confinement to find an all-new gang of bullies picking on a meek, young female prisoner, Mayumi is now a much harder soul who takes no attitude from anyone, and she turns savage when the poor girl is enslaved by Yakuza.
Set in a rustic English village in the mid 19th century, Under The Greenwood Tree tells the story of a poor young man who falls for a middle-class schoolteacher and attempts to win her over.
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.
Pastor Joe, is a young family man who leads a church in an active city where he reaches out to the poor and destitute in any way he can. One day, a woman named Tasha comes to his church seeking for help. Pastor Joe sits down with her and she shares an intense life story. She shares how she was born, how she was set free from a world of drugs, racism, theft, and human trafficking. Her story becomes increasingly complex as people from her past come in contact with Pastor Joe with their own life struggles of suicide, teen pregnancy, and abortion. As their stories tie together it brings hope, redemption, and salvation to the forefront and gives us a picture of what it means to experience the transformation of God, going from darkness to light, and to continue on the narrow path each and every day.
The story is set in 1890s Siam. Siang is a young Muay Thai warrior and rocketry expert who steals back water buffalo taken from poor Isan farmers by unscrupulous cattle raiders. He is searching for a man with a tattoo who killed his parents.
The story of a grief stricken, broken young woman named Kimberly, who grows up to be the ruthless master mind behind a criminal syndicate of desperate, poor women from the township, who disguise themselves as domestic workers, to rob rich people living in the suburbs of Johannesburg.
Daughter of Dawn told the story of a Comanche chief’s daughter torn between two lovers, one wealthy but cowardly, the other poor but honest and loyal. A contest of bravery involving a dangerous jump off of a cliff reveals the true nature of each man. The cowardly lover disgraced by his failing defects to the rival Kiowa tribe and joins in a failed attack on the Comanche village. When the Comanches successfully repel the attack the Chief gladly sends his daughter off with her true love and the young lovers, paddling together in a canoe, sail into the proverbial sunset.
The story is set in the early 21st century with the population decimated by bio terror. Two kinds of humans now exist. One is the Nokusu who were infected with a virus but survived and consequently they carry an antibody. Most are young, healthy and have high intelligence, but they have a high sensitivity to ultraviolet rays and are active mostly during the night. The other group are the Kyurio. They survived by never having the virus. The Nokusu discriminates against the Kyurio. Tetsuhiko Okudera is a Kyurio. He was born in a poor village. He isn’t happy with being a Kyurio and wishes he could be a Nokusu. Yui Ikuta is Tetsuhiko’s childhood friend. She tries to revive the poor village.
