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A successful actress accepts the role of Lady Macbeth at a small New England theater, where she begins a flirtation with her charmingly awkward young director, and finds herself haunted by the ghost of William Shakespeare – who’s keen to do some rewrites.
Reckless Jack Travis is an irreverent horror writer notorious for scaring audiences. But as he obsesses over creating a new theatre show set in a haunted Scottish castle, demonic disturbances from deep within the walls begin to prey on his troubled daughter. When the alarming supernatural forces start to close in on him too, Jack is forced to reckon with the terrifying consequences of creating such a dark and macabre play. But will he realise the danger of unearthing a historic curse and stop writing before he damns himself, his personal sanity and those he loves forever?
A disgruntled summer-stock actor contemptuously disregards the superstition surrounding Shakespeare’s tragedy, Macbeth and, by doing so, unleashes the curse of ‘The Scottish Play’ and wreaks havoc on the company.
Documentary paying tribute to one of the most successful managers in the history of Scottish football, Walter Smith. A winner as manager for Rangers and Scotland, Walter Smith was a man whose character won respect across the hard tribal lines of our national game. Featuring rare archive, and told with interview contributions from the people who knew him best and who worked with him throughout his long and varied career, the programme explores the numerous successes at Rangers, his experiences as a manager when he headed south to Everton in the English Premiership, his leadership of the Scotland national men’s team and his sensational return to Rangers in 2007. Walter: A Life in Football follows the highs and lows of Smith’s career, exploring the characteristics that made players, fellow managers and supporters venerate him. He was genuinely loved and revered by many, including titans of the game such as Pep Guardiola and Sir Alex Ferguson.
Jess and Andrea are enjoying a hiking holiday in the Scottish Highlands when Andrea goes missing after an encounter with two men at a local pub. Did they have something to do with her disappearance or is there something more sinister at play in the sleepy countryside?
Dean, Duncan and DJ Beatroot are teenage pals from Glasgow who embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio finds themselves paired with straight-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures.
You can’t help missing an outsider in the small Scottish town of Forres. And that while Bodkin Ras wants to keep his head down, because he’s on the run. In this mixture of fiction and documentary, Sohrab Bayat, who plays the title role, is the only actor. The other characters are inhabitants of Forres, who play themselves and whose striking life stories are incorporated into the script. The boundaries between reality and fiction fade and this gives the film a special atmosphere.
In his Scottish New Town home, gangling Gregory and his schoolfriends are starting to find out about girls. He fancies Dorothy, not least because she has got into the football team – and is a better player than him. He finally asks her out, but it is obviously the females in control of matters here, and that very much includes Gregory’s younger sister.
Young urban couple Ed and Sarah are set to begin a new life when they move from London into an isolated borders Scottish farmhouse. After falling in love with the 19th century Castle Farm and seeing its potential as a fixer-upper they are anxious to get started on the renovations. In bed on their first night Sarah thinks she can hear noises in the darkness but Ed is disbelieving saying it’s her imagination playing tricks. Persisting in her fear they are not alone in the house, she forces Ed to investigate. When he doesn’t return after a scarily long period, she goes downstairs to investigate only to be confronted by a welcoming committee of masked intruders. As she desperately searches for Ed, a terrifying game of cat and mouse ensues with the mysterious assailants. But what do they want and what horrors do they have planned for the two newcomers?
Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they’ve run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship’s progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie’s father for just one day…
In the 18th Century, John Cavendish, a Scottish adventurer, arrives in Tuscany and makes his fortune from his expert knowledge of botany and agriculture. In the present day, Marcus Cavendish, an American painter and playboy with mounting debts, receives a letter from Chiara Conti, an Italian solicitor, who reveals to him that he is of the Cavendish blood line. She tells him that he is the heir of Peter Cavendish, the last descendant of John Cavendish. Believing that this potential fortune may solve his money problems – and may even sort his head out – Marcus travels to Tuscany to get his inheritance. Having arrived at Cavendish Castle, Marcus thinks he has solved all of his problems, but discovers that he has to fight an ancient evil that has tormented his family for centuries, so he realizes that money, property and land mean little when faced with a blood curse as a surprise inheritance.
“Made entirely of Scottish film archive, a journey into our collective past, the film explores universal themes of love, loss, resistance, migration, work and play. Ordinary people, some long since dead, their names and identities largely forgotten, appear shimmering from the depth of the vaults to take a starring role. Brilliantly edited together, these silent individuals become composite characters, who emerge to tell us their stories, given voice by King Creosote’s poetic music and lyrics.” BBC Four website
