Legendary kayaker Scott Lindgren attempts to complete an extreme, unprecedented whitewater expedition 20-years-in-the-making. When a brain tumor derails his goals, he sinks into the darkness of his own trauma only to discover that healing, like any expedition, is not a destination but a journey.

1 day. 100 miles. The idea sounds impossible to most of us, but that’s the challenge Ashley Lindsey faces in ‘Solstice,’ which documents her attempt to finish the Western States 100 Mile Endurance Run in California’s Sierra Nevada Mountains. The world’s oldest and most prestigious 100 mile trail race, Western States runners travel from Squaw Valley to Auburn, battling bitter cold, stifling heat, and their own mental and physical limitations along the way. From mountain peaks to river canyons, runners climb over 18,000 vertical feet and descend nearly 23,000 feet on this ultimate challenge for long distance runners. ‘Solstice’ is the story of a rookie attempting to run 100 miles for the first time, and to prove that ‘impossible’ is just a word.

Shihomi Etsuko plays a race car driver who also lends out her services to the Japanese Secret Service. Although there really isn’t much of a “chase” to be seen, Shihomi does pursue a cartel of drug runners and assorted Japanese yakuza types. While the story is pure 70’s exploitation and gritty crime drama, the best reason to see it is for the Martial Arts Action of Etsuko Shihomi. The action is over-the-top and at times hilarious (i.e. Shihomi battling the lead criminal atop a moving gondola or Shihomi battling a whip-wielding Catholic Nun).

The plans of a moonshine runner trying to make a better life by becoming a stock car racer go awry when the local sheriff is determined to kill the driver over an affair with his wife.

A young farmer and his father are barely able to survive on their meagre corn harvest and so they make their way down from the mountains to the village to borrow money from their relatives working in jade mines or on opium plantations. But missing paperwork, deceit and corruption have left them impoverished too. Finally, the father pawns his cow for a moped so that his son can earn a living as a taxi driver. His first customer is Sanmei, who has returned to Myanmar to bury her grandfather. She decides not to go back to China and to get out of an arranged marriage in order to begin a new life with her son in her old country. When Sanmei accepts a job as a drug runner she persuades the young farmer to be her driver.