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What is self-organization? How is democracy created? Who decides a punishment? Where are the center and the periphery of the revolution? Where does it start and where does it end? A brief power vacuum turns into the moment of greatest potentiality, when the beliefs of the past and the strategies for the future are discussed. The film tries to look at the mundane spaces of the city, and to understand whether the historical and revolutionary uncertainty is still there.
While waiting for the brain surgery of his daughter Angela, victim of a motorcycle accident, the surgeon Timoteo recalls his torrid affair with and passion for Italia, a simple woman from slums in the periphery of the big city where he lives. The ghost of the beloved and sexual object of desire Italia chases him in his memories.
Two physically handicapped youngsters make friends with a paralysed hitman and are commissioned by a local mafia boss. They have little to lose although things are never as they first appear. The boundaries between fantasy and reality blur as the unlikely heroes stumble from one close encounter to the next and we gain an unusual insight into their lives on the periphery of society.
ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn’t let her go.
A dramatic, neo-realist Moroccan-speaking comedy, centered on the Vaknin family – a Moroccan Jewish family that immigrated to the picturesque town of “Bab El Ward” (an imaginary town symbolizing the whole periphery).