Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted “non-hero” Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

The Strange Case of Dr. Jekyll and Mr. Hyde is really just as much the story of Gabriel John Utterson, a lawyer and good friend of Dr. Henry Jekyll. More importantly, Utterson is a Victorian Gentleman, who is guided by a chivalry-like code to remain loyal to his friends and maintain his status in society. It is loyalty that drives Utterson to play detective in an effort to protect Jekyll from the malicious and scheming Mr. Hyde. Eventually, Utterson finds himself introduced to a world that he is neither ready to enter nor accept. The story takes place in Victorian-era England, after the Industrial Revolution. Utterson, a lawyer, and true Victorian Gentleman, discovers that his long-time friend, Dr. Henry Jekyll, has become involved with a mysterious and dangerous man named Edward Hyde. Jekyll is a tall, handsome man with a very high social status, which he is expected to maintain. Hyde is a complete opposite, short and vulgar, with an unidentifiable deformity.

A series of unrelated sports gags. Archery: The bullseyes make sense when we see where the archer is standing. Billiards: A trick shot: All the balls move together. Ping pong: The spectators eyes follow the ball… Ski jump: A long, long chute and a very short jump. Track: The hurdlers climb the hurdles like ladders. Swimming: The women’s champion turns out to be a mermaid. A men’s champion demonstrates strokes, ending with the crawl (on the bottom of the pool, on all fours). We see dives, ending with a seedy bar. Crew: We pull back from the first three precision rowers to see a real mess. Bicycle track racing: “Monotonous, isn’t it?” Baseball: A talkative catcher gets knocked back by the ball. Football: Avery Memorial Stadium, with every seat on the 50-yard line one row wide and hundreds tall. On field: The QB calls signals and hops around. A ref emerges from under a pileup: “Is it a touchdown? Mmm, could be.” The play is diagrammed into a huge tangle. Auto racing: The winner is…

Marcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. But when a documentary filmmaker discovers them amongst the clutter of his Airbnb, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family.

JACO tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who single-handedly changed the course of modern music by redefining the sound and the role of the electric bass guitar. Never-before-seen 8mm film, photographs, and audio recordings unveil the true story behind the legend of Jaco’s life, his music, and his heartbreaking end. Featuring Joni Mitchell, Sting, Flea, Herbie Hancock, Geddy Lee, Bootsy Collins, Santana, Wayne Shorter and more, JACO will leave you longing for a time when “musicians owned the music industry.” Produced by Metallica’s Robert Trujillo with Passion Pictures (Searching for Sugar Man) and directed by Mr. Paul Marchand & Stephen Kijak.

Bold and unsentimental in its portrait of a young man who faces the destruction of the family he struggles to support, Shuttle Life (Fen Bei Ren Sheng) marks a finely crafted feature debut for short-film director Tang Seng Kiat, focusing the spotlight on Malaysian cinema after a very long time in the dark. This hard-hitting social drama features naturalistic performances from pop singer and actor Jack Tan in the main role and Taiwanese actress-director Sylvia Chang as his mentally unstable mother