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Beth is a helpline volunteer – part of the small army that gets on the phone every night across America, fielding calls from all kinds of people feeling lonely, broken, hopeless. Over the last year the tide has become a tsunami. As Beth goes through her shift, the stakes rise: is this the night she will lose someone? Save someone? Eventually, Beth’s own story comes to light, revealing why she does it. All along we remain with her: listening, comforting, connecting – patching the world back together, one stitch at a time.
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy’s identity come up, the host’s life is thrown into chaos.
Upon hearing of his mentor’s impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as “the territory”. Kino believes wholeheartedly that the mentor cannot die until he arrives. On his journey, Kino is unaware several people are on his tail – varyingly malicious and politically involved – in search of the only-known recording of the greatest piece of music ever made, a piece supposedly capable of taking away all pain within the listener – created by his mentor, and in his possession, completely unbeknownst to him.
Maggie and Jack are childhood family friends and now as adults give dating advice together on their popular local radio show. When they find out their show is being shopped around for national syndication, their boss encourages them to introduce their significant others to their families for a live, on-air New Year’s Eve special. Knowing their fathers’ local jazz club, The Magnolia, is struggling financially, Maggie and Jack agree to the special as long as it’s hosted at the club. But when Maggie and Jack are both dumped before the big event, Jack suggests they pretend to be a couple and surprise their listeners with the news during a midnight kiss on New Year’s Eve!
While humorous, sarcastic and sometimes harsh, Dominique the Dame brings to the forefront America’s contemporary views on race, sex, drugs, religion and technology through her listeners who call into her show “Real Talk.” The radio program takes on a greater meaning when Dame mobilizes her listeners in a race against time to save the life of a pregnant teenager.
DJ Taz is barely coping with his recovery from losing everything: fame, love, and success. As he struggles with addiction and depression, a call from an avid listener to his radio show propels his life in a serendipitous direction.
In 2009, Scott Mescudi aka Kid Cudi released his debut LP, Man on the Moon: The End of Day. A genre-bending album that broke barriers by featuring songs dealing with depression, anxiety and loneliness, it resonated deeply with young listeners and launched Cudi as a musical star and cultural hero. A Man Named Scott explores Cudi’s journey over a decade of creative choices, struggles and breakthroughs, making music that continues to move and empower his millions of fans around the world.
“The Zulus are coming,” Dark Sevier, a local DJ for public radio in Butte, Montana, announces to listeners one evening in May, 2017. By this point, everyone in the small town had been eagerly following the strange and curious series of events that would eventually bring a Zulu prince from Nongoma, South Africa, to their town of 30,000-some-odd people.
Every Tuesday night, radio talk show host Stevie Bricks invites his listeners to call in and share their stories. When one night he asks people to share the worst thing they’ve ever done, high school teacher Ron Welz can’t resist. Big mistake—what he reveals sets off a chain of hilariously uncontrollable events adversely affecting his marriage and another couple. And when someone starts sending him body parts, his life really begins to fall apart. Who is tormenting him? An insolent high school student? His best friend? His wife? There are over eight million people in the Naked City, and everyone’s a suspect.
In the tradition of Tales from the Crypt and Creepshow comes terror in a new frequency with SCAREWAVES. Join radio host Amos Satan as he lets his hungry listeners in on four of the most terrifying and true stories he’s heard over his years in show business.
When disc jockey Grant Mazzy reports to his basement radio station in the Canadian town of Pontypool, he thinks it’s just another day at work. But when he hears reports of a virus that turns people into zombies, Mazzy barricades himself in the radio booth and tries to figure out a way to warn his listeners about the virus and its unlikely mode of transmission.
In Philadelphia, the psychologist Dr. Liz Manners is the host of the WLOR Talk Radio Show giving advices about relationships to her audience. When she suggests to her listener Sara Jane to leave her abusive and obsessive husband Kyle Lundstrom, Sara runs away home chased by Kyle and is hit by a car, immediately dying. The psychopath Kyle decides to use his money to destroy Dr. Manners’ life, and assuming the fake identity of the investor James, he meets her husband Rob and poisons her marriage
Exploring the social impact of what The Source Magazine in 1998 voted, “The Best Hip Hop Radio Show Of All-Time.” The documentary film is the story of quirky friends who became unlikely legends by engaging their listeners and breaking the biggest rap artists ever.
Until the late 1970s, the Pakistani city of Lahore was world-renowned for its music. Following the Islamization of Pakistan, many artists struggled to continue their life’s work. Song of Lahore turns the spotlight on a group of stalwart musicians that kept playing and ultimately attracted listeners from around the world.
During a professional conference in Prague, two interpreters in the Hungarian booth hilariously vie for the attention of one listener.
In this hip-hop slanted horror opus, a group of stuggling rap musicians think they’ve gotten their big break when they’re tapped to record with star-making producer Dr. Bones. But the rappers soon learn that Dr. Bones has more than music on his mind; he’s using their music to turn listeners into zombies — and then force his willing slaves to join him in a bid to take over the world! Veteran comic actor Darrow Igus stars alongside newcomer Larry Bates and Sarah Scott.
