After the parents of Ruby and her younger brother, Rhett, are killed in a car crash, their parents’ best friends, Erin and Terry Glass, become their guardians. The children hear promises of a world of opulence and California fun — all they have to do is move into the Glasses’ gated house. Before very long, though, Ruby suspects that Erin and Terry may not be the ideal guardians they seemed to be.

One year after losing their son David, Eve Goode and her husband Raymond Goode adopt the orphan Ethan Snow (and his teenager sister Abby Snow and bring them to their mansion nearby a lake. Abby faces difficulties of adaptation in her new home, and she confronts Eve, who proves to be deranged and unstable. When Ethan gets sick, Abby tries to contact their friend, detective Ben Koch, and she realizes that her brother and she are trapped in the house.

Convinced of her husbands infidelity, a woman’s obsessive search for the truth turns deadly.

A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.

A documentary on the subject of the collections of books, instruments and medical anomalies at The College of Physicians of Philadelphia and the Mutter Museum housed there. This short film represents the first to be made by the internationally recognized Quay Brothers in the United States. While not a stop-motion animation film, a form for which the Quays are best known, the entire film is vibrantly constructed and ‘animated’. Musical score by composer Tim Nelson and voice-over provided by Derek Jacobi.

Inspired by her favorite TV show, Beth decides to shatter the glass ceiling–one tampon at a time.

The mystical powers of the Zodiac are transformed into exotic centerfolds starring the very best of the Penthouse Pets. This erotic collection features Pets of the Year Nikie St. Gilles as a sexy Libra exploring a sun-drenched tropical shore and Paige Summers as a feisty Taurus luxuriating in a steamy grotto. Also starring runners-up Leslie Glass as Virgo, a heart-pounding native beauty and Julia Garvey as Aries. A fiery bewitching muse. Pets Amy Lynn, Alex Taylor, Chloe Jones, Samantha Michaels, Stacy Moran, Heather Kelly, Pamela Petrokova and Heather St. James all make The Girls of the Zodiac one show you’ll want to spend the whole year with.

A burned-out professional sniper finds himself trapped in an all-glass penthouse by a lethal competitor and must find a way to survive and escape with little to no cover between him and the killer.

Javier is what we have dubbed as a “husband-in-law.” That is that without taking care of the care of the house and children at all, he knows exactly what needs to be done, and that he continuously collects a sum of sentences from the type: “It is that you do not organize”, or “do not get nervous”, you already consider that overflowing woman drowns in a glass of water. Javier will have to face the reality of dealing with five children (between four and twelve years old) when his wife decides to go on a trip and leave him alone with them. The chaotic situation that takes place at home will progressively evolve ecologically to the most absolute disaster, but at the same time it will give parents and children the opportunity to meet and enjoy themselves for the first time.

It all starts with one question: How will you make the world a better place? From household names to rising stars, meet the women who are changing our world. They live among primates in the jungle…dive the oceans for clues to the health of our planet, discover our human origins in African caves, and test new technologies in outer space. They break glass ceilings in newsrooms, boardrooms, courtrooms and classrooms. Women are reshaping our world, and how we see it, and here are their stories!

The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.

Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town’s women pop up dead.

It’s a movie about Hungover guys that get lost in a death match game: Each year, drunk people are selected to participate in torturous games the morning after a big night out. There’s no sunglasses, no water, and no headache medicine. “The Hungover Games,” a film that manages to merge the premises of both “The Hunger Games” and “The Hangover” … and throw in references to “Ted,” “Django Unchained,” “The Lord of the Rings,” “Carrie,” “The Real Housewives of Beverly Hills” and whatever else crossed the writers’ fevered brains during the probably very drunken “development process.”

Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus’s estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby’s Nanny and an attorney, enter the house they find themselves trapped inside an evil machine “designed by the devil and powered by the dead” to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.

A man’s affair with his family’s housemaid leads to a dark consequences. Eun-yi is hired as an au pair for Hae-ra (pregnant with twins) and her rich husband Hoon. Eun-yi’s primary task is watching the couple’s young daughter, Nami. Eun-yi is eager to connect to Nami, who gradually warms to her. Hoon begins to secretly flirt with Eun-yi, enticing her with glasses of wine and his piano playing, and they eventually begin a sexual relationship. Despite the affair, Eun-yi is still warm and friendly to Hoon’s oblivious wife, Hae-ra. She even expresses enthusiasm and delight at the progress of Hae-ra’s pregnancy.