When his child is possessed by an unrelenting evil, a father hires three expert exorcists to purge the demon and save his family. But this demon is merely the gatekeeper to a true hellion that will be unleashed on earth if the trio of exorcists fail.

Pat, laid off from his job during the beginning of the Covid 19 outbreak, manages to find work as the videographer for a contract Exorcist. Working together, the two uncover a demonic plot to bring the Four Horsemen of the Apocalypse to our world.

A trio of awkward teens intend to win a horror festival by making their own movie, but wind up getting their actress possessed in the process.

An attractive young woman has been called on to help rid a haunted family of its demons – the male heirs all die young, and one is now in a coma – she has to clear the environment where several exorcists have failed before her.

Iqbal and his mother have a special talent for seeing things that others cannot. Together with his father, who doesn’t share their sight, they work as exorcists until one day his mother meets a tragic end, saving Iqbal from an attack by a particularly malevolent spirit. With his mother gone, Iqbal’s father attempts to end the family’s suffering by binding his son’s abilities by using a mystic, but it only half works. When Iqbal and his friends inadvertently unleash a very nasty spirit in a fit of adolescent abandon, he learns that his abilities aren’t completely gone… but are they strong enough to save the people he loves from a fate worse than death?

In writer-director Nick Whitfield’s black indie comedy, a pair of “exorcists” (Ed Gaughan and Andrew Buckley) with the power to rid people of their secrets agree to help a woman (Paprika Steen) whose daughter (Tuppence Middleton) is mute — and whose husband is missing. Jason Isaacs co-stars as the mysterious Colonel, who seems to be calling the shots from the sidelines of the duo’s shadowy enterprise.