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Although evidence of meat consumption’s negative impact on the planet and on human health continue stacking up as animal welfare is on the decline, humanity’s love affair with hamburgers, steaks, nuggets and chops just doesn’t end. In The End of Meat, filmmaker Marc Pierschel embarks on a journey to discover what effect a post-meat world would have on the environment, the animals and ourselves. He meets Esther the Wonder Pig, who became an internet phenomenon; talks to pioneers leading the vegan movement in Germany; visits the first fully vegetarian city in India; witnesses rescued farm animals enjoying their newly found freedom; observes the future food innovators making meat and dairy without the animals, even harvesting “bacon” from the ocean and much more. The End of Meat reveals the hidden impact of meat consumption; explores the opportunities and benefits of a shift to a more compassionate diet; and raises critical questions about the future role of animals in our society.
Bostonandapos;s own bold and brash Kendra Cunningham is back to share her personal accounts of growing up with deceptively sophisticated parents, her awkward promiscuity in the dating scene, and her unexpected commonalities with a female…
The path to going plant-based has obvious upsides, but can also be isolating and difficult. Shouldn’t there be some middle ground for people looking to make a change without totally upending their lives? Leader of the Reducetarian Movement, Brian Kateman explores this issue through the lens of his own personal decision to reduce eating meat. Grappling with how to sort through conflicting advice, Brian seeks a practical path forward.
10 years after the events of the original film, a rash of new meathook-murders makes Dan suspect this may be the same Killer responsible for the death of his twin Sister and her friends. Taking matters into his own hands he tracks down the maniac in an underground cavern and not only comes face-to-face with the meathook wielding mongoloid, but his entire sadistic family as well!
After the disastrous food storm in the first film, Flint and his friends are forced to leave the town. Flint accepts the invitation from his idol Chester V to join The Live Corp Company, which has been tasked to clean the island, and where the best inventors in the world create technologies for the betterment of mankind. When Flint discovers that his machine still operates and now creates mutant food beasts like living pickles, hungry tacodiles, shrimpanzees and apple pie-thons, he and his friends must return to save the world.
The photographer Leon lives with his girlfriend and waitress Maya waiting for a chance to get in the photo business. When Maya contacts their friend Jurgis, he schedules a meeting for Leon with the successful owner of arts gallery Susan Hoff; she analyzes Leon’s work and asks him to improve the quality of his photos. During the night, the upset Leon decides to wander on the streets taking pictures with his camera, and he follows three punks down to the subway station; when the gang attacks a young woman, Leon defends her and the guys move on. On the next morning, Leon discovers that the woman is missing. He goes to the police station, but Detective Lynn Hadley does not give much attention to him and discredits his statement. Leon becomes obsessed to find what happened with the stranger and he watches the subway station. When he sees the elegant butcher Mahogany in the train, Leon believes he might be a murderer and stalks him everywhere, in the beginning of his journey to the darkness.
Inventor Flint Lockwood creates a machine that makes clouds rain food, enabling the down-and-out citizens of Chewandswallow to feed themselves. But when the falling food reaches gargantuan proportions, Flint must scramble to avert disaster. Can he regain control of the machine and put an end to the wild weather before the town is destroyed?
Far away from the civilized world, in the deep isolation of the lonely backwoods, Carl Henry Jessup spends his days in twisted contemplation and hazy reverie of the good old days. His contempt for outsiders keeps him close to his hillbilly family home. Carrying on the family business, Carl keeps an eye out for Grade A meat.
Tripper is the head counselor at a budget summer camp called Camp Northstar. In truth, he’s young at heart and only marginally more mature than the campers themselves. Tripper befriends Rudy, a loner camper who has trouble fitting in. As Tripper inspires his young charges to defeat rival Camp Mohawk in the annual Olympiad competition, Rudy plays matchmaker between Tripper and Roxanne, a female counselor at Northstar.
Nobody knows where they came from. They parasitize in human beings, take control of them and change their bodies into hideous monsters (Necro-borg). The Necro-borg fight each other until the other dies. Where did they come from? To what end? Yuji and Kaoru, whom both have dark secrets within themselves, get caught up in the horrific battles of Necro-borg. What will their fate be?
Meat the Truth is a high-profile documentary which forms an addendum to earlier films on climate change. Although such films have succeeded in drawing public attention to the issue of global warming, they have repeatedly ignored one of the most important causes of climate change: the intensive livestock production. Meat the Truth draws attention to this by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together.
The second in-name-only sequel to the first Meatballs summer camp movie sets us at Camp Sasquash where the owner Giddy tries to keep his camp open after it’s threatened with foreclosure after Hershey, the militant owner of Camp Patton located just across the lake, wants to buy the entire lake area to expand Camp Patton. Giddy suggests settling the issue with the traditional end-of-the-summer boxing match over rights to the lake. Meanwhile, a tough, inner city punk, nicknamed Flash, is at Camp Sasquash for community service as a counselor-in-training where he sets his sights on the naive and intellectual Cheryl, while Flash’s young charges befriend an alien, whom they name Meathead, also staying at the camp for the summer.
A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.
Servet the accountant makes a plan to steal money from a client. He decides to get his brother-in-law Gökhan involved to use his account for the money transfer. When two more friends Meatball Necmi and Del Piero are added to the plan, things start going bad.
Tomboy Tomo couldn’t have picked a more awkward high school crush ’cause it’s on her childhood friend, Junichiro, but he only sees her as one of the guys. Despite her pretty looks and signals, nothing gets through to this meathead! Will Junichiro ever realize Tomo’s into him and see her for the cutesy girl she actually is?!
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
Dinah is a famous model and actress who is getting tired of life in the limelight and wants to take a break. While shooting a commercial spot for meat, she meets Steve, a stuntman. Dinah and Steve hit it off and decide to head to an island to get away from it all, bringing along four of Steve’s friends. Before long, Dinah is reported missing and everyone is looking for her, making their getaway anything but tranquil.
The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.
Each Challenge pits numerous cast members from past seasons of Real World and Road Rules against each other (only the Fresh Meat Challenge has introduced new cast members that have never appeared on either The Real World or Road Rules), dividing them into two separate teams according to different criteria, such as by gender, which of the two shows they first appeared on, whether or not they’re veterans or rookies on the show, etc. The two teams compete in numerous missions in order to win prizes and advance in the overall game.
Immi the Vegan dreams of finding a good vegan man and gaining the confidence to perform her songs in front of a live audience. But lately her dates have mistaken her for a vegetarian or tried to send her photos of their meat and two veg.
Desperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what “normalcy” really means in a world of mistaken identities, very old, old friends, and poisoned meatballs.
A secret government program has finally permeated society via nanotechnology and is capable of dishing out a form of forced karma to those in need. 10 years later, the AI / Nanotechnology continues to advance, and the Nanos have an agenda all their own!
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
Adolfo, a thirty something security guard, is going through a bad patch. Not only his lifetime girlfriend has just to finished with him to be a guy with no ambition but, moreover, he becomes the target of a series of thugs led by Vázquez, a dangerous criminal who has just escaped from jail. Also he discovers that his father has a double identity. He is not a farmer engaged in the production of cold meat – as Adolfo has believed all his life, but Anacleto, a secret agent who is a bit down and the man who locked Vázquez up in jail thirty years ago. Adolfo will have to leave his comfort zone and work with his father, the person that Adolfo get on worse with in the world to survive the revenge of Vazquez and while, between shootouts and chases, trying to get his girlfriend back.
Meat the Jones in this humorous yet terrifying tale of a prestigious family of black cannibals. For years the Jones’ have enjoyed an endless supply of “cattle” by feeding on the homeless people from the streets of Akron, Ohio. The Jones’s way of life is jeopardized by their daughter Kendal who is a newly converted vegan and doesn’t approve of her family’s dark, twisted ways. Kendal must decide on keeping up the family tradition or helping Ed, the new-found love of her life escape the Jones’s house of horrors, before he becomes their next meal.
Marty is a troubled nerd who constantly is mistreated and raped by his fat and abusive mother Bertha, who does in-call with her a prostitution ring. After Bertha confronts her daughter, his sister Petunia, he decides he is tired of having to constantly bury the clients she’s killed for their pocket change. Marty makes a stand once and for all against his wicked mother to once and for all put an end to the sickness permeating his home, and turn his life to his own dreams of being a screenwriter.
Indie Game: The Movie is a feature documentary about video games, their creators and the craft. The film follows the dramatic journeys of video game developers as they create and release their games to the world. The film tells the emotional story of friends Edmund McMillen & Tommy Refenes, as they craft their first Xbox game: “Super Meat Boy”. It follows Phil Fish, the creator of the highly-anticipated game: “FEZ”. After 4 years of working in near solitude, Phil reveals his opus to the public for the first time. And, the film tells the surprising story of one of the highest-rated video games of all time:”Braid”. The film is about making video games, but at its core, it’s about the creative process, and exposing yourself through your work. In short: Making fun and games is anything but fun and games.
In this comedy, Atouk becomes leader of the misfit cavemen. Disgraced and cast out of his tribe for lusting after Lana, the mate of tribe’s head muscle man, Atouk stumbles along gathering other misfits and learning a bit about the world outside of his cave. Eventually he and friends Lar, and Tala learn the secrets of fire, cooked meat, and how to defend themselves from the brutal, yet very stupid
A couple encounters a perverted gas station attendant who threatens them with a shotgun. They take a deserted path in Texas to seek help, but only meet up with a cannibalistic clan interested in helping themselves to fresh meat.
When the Fist found a mystical gold fleece jacket, he became the biggest porn star of the 1970s. But in the ‘80s, he’s on the cusp of eviction from a run-down studio apartment, having lost his gold fleece and his mojo along with it. When a local street thug named Superfly enters the diner where Fist works, robbing his customers, Fist and friends fight back. And thus begins a wild adventure, as Superfly’s bosses come to collect from Fist, sending him on a journey that unravels a conspiracy to sell meat pumped full of estrogen, which threatens to emasculate men.
Detective Lucas McCarthy finally apprehends “Meat Cleaver Max” and watches the electric chair execution from the audience. But killing Max Jenke only elevated him to another level of reality. Now Lucas’ family is under attack, his sanity in question, and his house haunted. Aided by a disreputable college professor, can Lucas reclaim his mind, house, and family? Features Lance Henriksen as the Lucas McCarthy and Brion James as Max Jenke. One of the few movies featuring these actors as main characters.
A heavy metal band are on tour when their bus breaks down on the outskirts of a remote, rural town. They are helped by a family of God-worshipping locals, but quickly discover that this clan of crazies has murder on their minds and turning them into inventory for their wholesale meat business. The band must fight their way out of this nightmare any way they can, or end up on the dinner table.
An occult horror prequel to the genre-bending short film, Blackbags. This focuses on the supernatural origins of masked murderer, the Meathead, who has been conjured up from the depths of Hell by descendants of the Order of Our Goatish Lord. Their age-old rivals, the Watermoon family, have summoned a terrible, monstrous force of their own, hoping to prevent the curse of the Meathead from devastating the land and claiming souls for his dark master, Satan.