A celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.

Celebrating the 50th anniversary of the release of ‘Pet Sounds,’ Brian Wilson and surviving members of The Beach Boys (Mike Love, Al Jardine, Bruce Johnston and David Marks) revisit the writing and recording of the landmark record that is consistently voted one of the top three influential albums of all time. Featuring exclusive interviews, classic archive and rare studio outtakes from the recording sessions.

Thomas Turgoose (This Is England) stars as David, a young boy who lives a carefree life on a coastal caravan park with his best friend Emily (Holliday Grainger). When David learns that Emily is being forced to move away, he helps her hide out in a remote cave on the beach. But as David watches the police close in on his missing friend, their innocent secret takes on a life of its own. When the real reason Emily wants to escape comes to light, David’s world is shattered. Swept up in a situation out of his control, and with his feelings for his best friend growing stranger by the day, David is forced to take action.

On Skeet’s twelfth birthday his older brother Randy buys him his first surfboard. Suddenly his summer turns to the endless search for the perfect wave, wild times and beach parties and eventually, finding his own daring adventures when Randy’s attention turns to a girl. Beyond his wildest dreams, Skeet is taken under the wings of surfing legend Jim Wesley who gives Skeet first-hand lessons in hot-dogging. Meanwhile, Randy, still dealing with the loss of his father and trying to fill his shoes, is jealous of Jim’s influence on Skeet and isn’t thrilled when Jim begins a relationship with their single mom. Tangled by the conflict between his brother and his newfound father figure, Skeet retreats to his room while longing to surf.

Dogtown and Z-Boys follows the evolution of skateboarding from the 60’s and into the late 70’s as skateboarding’s california beach boy image is transformed into a low-riding surf oriented style.

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit’s thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown’s Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined – which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

A look at the roots of the historic music scene in L.A.’s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.

A celebration of the musical work of a group of session musicians known as “The Wrecking Crew”, a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.

Documentary which celebrates, over the period covering the end of the 1950s and the beginning of the 60s, the phenomenon of the Everly Brothers, arguably the greatest harmony duo the world has witnessed, who directly influenced the greatest and most successful bands of the 60s and 70s – The Beatles, The Stones, The Beach Boys and Simon & Garfunkel to name but a few.

The life of reclusive and eccentric Beach Boys songwriter and musician Brian Wilson.

The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.

Twenty-something Brooklynites Allie and Harper are directionless, privileged, and just a tiny bit damaged. All they want is to get to the beach, where a drug-fueled afternoon with cute boys awaits them. Alas, the journey becomes needlessly complicated, as the girls’ bike ride from Williamsburg to Fort Tilden Beach is littered with a barrage of unfriendly circumstances and the realization that their life skills are more limited than they should be.

Corey and his band of skater buddies sometimes make mischief, but they’re more interested in girls and having fun on their boards than in getting into any real trouble. Notorious enemy crew the Daggers, led by Tommy Hook, get their kicks terrorizing the locals at Venice Beach. When Corey starts dating Tommy’s kid sister Chrissy, the Daggers are furious. The boys then take their beef to the “L.A. Massacre,” a deadly skate race down a canyon road.

As not-quite-orderlies who’re downright Disorderlies, rap-music favorites The Fat Boys rule. Playing the freewheeling caretakers of the frail Dennison (Hollywood legend Ralph Bellamy), they stir up a comedic culture clash in Palm Beach society that only proves laughter is the best medicine this side of a tax refund.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

On the beaches of Kenya they’re known as “Sugar Mamas” — European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.

The series centers on 17-year-old Joshua “J” Cody, who moves in with his freewheeling relatives in their Southern California beach town after his mother dies of a heroin overdose. Headed by boot-tough matriarch Janine “Smurf” Cody and her right-hand Baz, who runs the business and calls the shots, the clan also consists of Pope, the oldest and most dangerous of the Cody boys; Craig, the tough and fearless middle son; and Deran, the troubled, suspicious “baby” of the family.